Julius O. Smith III

Orcid: 0000-0002-5251-2935

Affiliations:
  • Stanford University, Department of Music, CA, USA


According to our database1, Julius O. Smith III authored at least 131 papers between 1982 and 2020.

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Bibliography

2020
A Framework for Contrastive and Generative Learning of Audio Representations.
CoRR, 2020

2019
Converting Series Biquad Filters Into Delayed Parallel Form: Application to Graphic Equalizers.
IEEE Trans. Signal Process., 2019

Generalized Wave Digital Filter Realizations of Arbitrary Reciprocal Connection Networks.
IEEE Trans. Circuits Syst. I Regul. Pap., 2019

A Spatial Sampling Approach to Wave Field Synthesis: PBAP and Huygens Arrays.
CoRR, 2019

SUPRA: Digitizing the Stanford University Piano Roll Archive.
Proceedings of the 20th International Society for Music Information Retrieval Conference, 2019

2018
Modeling Circuits With Arbitrary Topologies and Active Linear Multiports Using Wave Digital Filters.
IEEE Trans. Circuits Syst. I Regul. Pap., 2018

Neural Style Transfer for Audio Spectograms.
CoRR, 2018

2017
Joint Modeling of Bridge Admittance and Body Radiativity for Efficient Synthesis of String Instrument Sound by Digital Waveguides.
IEEE ACM Trans. Audio Speech Lang. Process., 2017

Perceptual Spatial Audio Recording, Simulation, and Rendering: An overview of spatial-audio techniques based on psychoacoustics.
IEEE Signal Process. Mag., 2017

Passively augmenting mobile devices towards hybrid musical instrument design.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Modeling and Digitizing Reproducing Piano Rolls.
Proceedings of the 18th International Society for Music Information Retrieval Conference, 2017

Embodied Sonic Meditation and its Proof-of-Concept: "Resonance of the Heart".
Proceedings of the 2017 International Computer Music Conference, 2017

MESH2FAUST: a Modal Physical Model Generator for the Faust Programming Language - Application to Bell Modeling.
Proceedings of the 2017 International Computer Music Conference, 2017

2016
Modeling nonlinear wave digital elements using the Lambert function.
IEEE Trans. Circuits Syst. I Regul. Pap., 2016

Design of Recursive Digital Filters in Parallel Form by Linearly Constrained Pole Optimization.
IEEE Signal Process. Lett., 2016

Closed Form Fractional Integration and Differentiation via Real Exponentially Spaced Pole-Zero Pairs.
CoRR, 2016

Augmenting the iPad: the BladeAxe.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

Continuous Order PolygonalWaveform Synthesis.
Proceedings of the 2016 International Computer Music Conference, 2016

Wave digital filter modeling of circuits with operational amplifiers.
Proceedings of the 24th European Signal Processing Conference, 2016

2015
Efficient Synthesis of Room Acoustics via Scattering Delay Networks.
IEEE ACM Trans. Audio Speech Lang. Process., 2015

A general and explicit formulation for wave digital filters with multiple/multiport nonlinearities and complicated topologies.
Proceedings of the 2015 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, 2015

Digital modeling of string instrument bridge reflectance and body radiativity for sound synthesis by digital waveguides.
Proceedings of the 2015 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, 2015

Mobilefaust: a set of tools to make musical mobile applications with the faust programming language.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Modeling a class of multi-port nonlinearities in wave digital structures.
Proceedings of the 23rd European Signal Processing Conference, 2015

2014
The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model.
Proceedings of the Music Technology meets Philosophy, 2014

A Hybrid Guitar Physical Model Controller: The BladeAxe.
Proceedings of the Music Technology meets Philosophy, 2014

A Bowed String Physical Model Including Finite-Width Thermal Friction and Hair Dynamics.
Proceedings of the Music Technology meets Philosophy, 2014

A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum Circuit.
Proceedings of the 17th International Conference on Digital Audio Effects, 2014

Short-Time Time-Reversal on Audio Signals.
Proceedings of the 17th International Conference on Digital Audio Effects, 2014

2013
Force-Sensitive Detents Improve User Performance for Linear Selection Tasks.
IEEE Trans. Haptics, 2013

2012
Fifty Years of Artificial Reverberation.
IEEE Trans. Speech Audio Process., 2012

Optimized Polynomial Spline Basis Function Design for Quasi-Bandlimited Classical Waveform Synthesis.
IEEE Signal Process. Lett., 2012

Learning Sparse Feature Representations for Music Annotation and Retrieval.
Proceedings of the 13th International Society for Music Information Retrieval Conference, 2012

Exploiting the harmonic structure for speech enhancement.
Proceedings of the 2012 IEEE International Conference on Acoustics, 2012

2010
Automated Physical Modeling of Nonlinear Audio Circuits For Real-Time Audio Effects - Part I: Theoretical Development.
IEEE Trans. Speech Audio Process., 2010

Alias-Suppressed Oscillators Based on Differentiated Polynomial Waveforms.
IEEE Trans. Speech Audio Process., 2010

Introduction to the Special Issue on Virtual Analog Audio Effects and Musical Instruments.
IEEE Trans. Speech Audio Process., 2010

Efficient Antialiasing Oscillator Algorithms Using Low-Order Fractional Delay Filters.
IEEE Trans. Speech Audio Process., 2010

Analysis and Synthesis of Coupled Vibrating Strings Using a Hybrid Modal-Waveguide Synthesis Model.
IEEE Trans. Speech Audio Process., 2010

Robust, Efficient Design of Allpass Filters for Dispersive String Sound Synthesis.
IEEE Signal Process. Lett., 2010

2009
The Kalichord: A Physically Modeled Electro-Acoustic Plucked String Instrument.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

HSP: A Simple and Effective Open-Source Platform for Implementing Haptic Musical Instruments.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Using Haptics to Assist Performers in Making Gestures to a Musical Instrument.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

2008
Numerical Methods for Simulation of Guitar Distortion Circuits.
Comput. Music. J., 2008

A Tangible Virtual Vibrating String: A Physically Motivated Virtual Musical Instrument Interface.
Proceedings of the 8th International Conference on New Interfaces for Musical Expression, 2008

2007
Parameterized Finite Difference Schemes for Plates: Stability, the Reduction of Directional Dispersion and Frequency Warping.
IEEE Trans. Speech Audio Process., 2007

Audio Watermarking through Deterministic plus Stochastic Signal Decomposition.
EURASIP J. Inf. Secur., 2007

Physical and Behavioral Circuit Modeling of the SP-12 sampler.
Proceedings of the 2007 International Computer Music Conference, 2007

Excitation signal Extraction for Guitar tones.
Proceedings of the 2007 International Computer Music Conference, 2007

A Physically Intuitive Haptic Drumstick.
Proceedings of the 2007 International Computer Music Conference, 2007

Generative Model of Voice in Noise for Structured Coding Applications.
Proceedings of the IEEE International Conference on Acoustics, 2007

Inducing Unusual Dynamics in Acoustic Musical Instruments.
Proceedings of the IEEE International Conference on Control Applications, 2007

2005
Open-Source MATLAB Tools for interpolation of SDIF sinusoidal synthesis parameters.
Proceedings of the 2005 International Computer Music Conference, 2005

Using a perceptually Based Timbre Metric for parameter control estimation in Physical Modeling synthesis.
Proceedings of the 2005 International Computer Music Conference, 2005

A generalized parametric Reed Model for Virtual Musical Instruments.
Proceedings of the 2005 International Computer Music Conference, 2005

If I had a Hammer: Design and Theory of an Electromagnetically-prepared Piano.
Proceedings of the 2005 International Computer Music Conference, 2005

AM/FM rate estimation for time-varying sinusoidal modeling.
Proceedings of the 2005 IEEE International Conference on Acoustics, 2005

2004
Musical Applications of Banded Waveguides.
Comput. Music. J., 2004

Theory of Banded Waveguides.
Comput. Music. J., 2004

Multiple watermarking: is power sharing better than time sharing?
Proceedings of the 2004 IEEE International Conference on Multimedia and Expo, 2004

CCRMA Studio Report.
Proceedings of the 2004 International Computer Music Conference, 2004

Implementation of a Highly Diffusing 2-D DigitalWaveguide Mesh with a Quadratic Residue Diffuser.
Proceedings of the 2004 International Computer Music Conference, 2004

Loudness-Based Display and Analysis Applied to Artificial Reverberation.
Proceedings of the 2004 International Computer Music Conference, 2004

Watermarking sinusoidal audio representations by quantization index modulation in multiple frequencies.
Proceedings of the 2004 IEEE International Conference on Acoustics, 2004

2003
Generalized digital waveguide networks.
IEEE Trans. Speech Audio Process., 2003

Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion.
IEEE Trans. Speech Audio Process., 2003

Inferring control inputs to an acoustic violin from audio spectra.
Proceedings of the 2003 IEEE International Conference on Multimedia and Expo, 2003

Watermarking parametric representations for synthetic audio.
Proceedings of the 2003 IEEE International Conference on Acoustics, 2003

2002
Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism.
Proceedings of the New Interfaces for Musical Expression, 2002

Analysis and synthesis of unusual friction-driven musical instruments.
Proceedings of the 2002 International Computer Music Conference, 2002

From the Physics of Piano Strings to Digital Waveguides.
Proceedings of the 2002 International Computer Music Conference, 2002

2001
A Musical Instrument Based on a Bioacoustic Model of a Cicada.
Proceedings of the 2001 International Computer Music Conference, 2001

Data driven identification and computer animation of bowed string model.
Proceedings of the 2001 International Computer Music Conference, 2001

2000
Influence of Attack Parameters on the Playability of a Virtual Bowed String Instrument.
Proceedings of the 2000 International Computer Music Conference, 2000

Qualitative and Quantitive Assessment of a Virtual Bowed String Instrument.
Proceedings of the 2000 International Computer Music Conference, 2000

Glottal source modeling for singing voice synthesis.
Proceedings of the 2000 International Computer Music Conference, 2000

A Waveguide Mesh Model of High-Frequency Violin Body Resonances.
Proceedings of the 2000 International Computer Music Conference, 2000

1999
Bark and ERB bilinear transforms.
IEEE Trans. Speech Audio Process., 1999

A switched parametric and transform audio coder.
Proceedings of the 1999 IEEE International Conference on Acoustics, 1999

1998
Multiresolution sinusoidal modeling for wideband audio with modifications.
Proceedings of the 1998 IEEE International Conference on Acoustics, 1998

1997
On fast FIR filters implemented as tail-canceling IIR filters.
IEEE Trans. Signal Process., 1997

Circulant and elliptic feedback delay networks for artificial reverberation.
IEEE Trans. Speech Audio Process., 1997

Nonlinear Commuted Synthesis of Bowed Strings.
Proceedings of the 1997 International Computer Music Conference, 1997

Digital Waveguide Modeling of Woodwind Toneholes.
Proceedings of the 1997 International Computer Music Conference, 1997

1996
Analyzing the Moog VCF for Digital Implementation.
Proceedings of the 1996 International Computer Music Conference, 1996

Alias-Free Digital Synthesis of Classic Analog Waveforms.
Proceedings of the 1996 International Computer Music Conference, 1996

Demonstration: Using SynthBuilder for the Creation of Physical Models.
Proceedings of the 1996 International Computer Music Conference, 1996

Body Modeling Techniques for String Instrument Synthesis.
Proceedings of the 1996 International Computer Music Conference, 1996

The 3D Tetrahedral Digital Waveguide Mesh with Musical Applications.
Proceedings of the 1996 International Computer Music Conference, 1996

1995
Commuted Piano Synthesis.
Proceedings of the 1995 International Computer Music Conference, 1995

SynthBuilder Demonstration - A Graphical Real-Time Synthesis, Processing and Performance System.
Proceedings of the 1995 International Computer Music Conference, 1995

Performance Expression in Commuted Waveguide Synthesis of Bowed Strings.
Proceedings of the 1995 International Computer Music Conference, 1995

Developments for the Commuted Piano.
Proceedings of the 1995 International Computer Music Conference, 1995

Super-Spherical Wave Simulation in Flaring Horns.
Proceedings of the 1995 International Computer Music Conference, 1995

1994
Connections between Feedback Delay Networks and Waveguide Networks for Digital Reverberation.
Proceedings of the 1994 International Computer Music Conference, 1994

Circulant Feedback Delay Networks for Sound Synthesis and Processing.
Proceedings of the 1994 International Computer Music Conference, 1994

A Simplified Approach to Modeling Dispersion Caused by Stiffness in Strings and Plates.
Proceedings of the 1994 International Computer Music Conference, 1994

Traveling Wave Implementation of a Lossless Mode-coupling Filter and the Wave Digital Hammer.
Proceedings of the 1994 International Computer Music Conference, 1994

Instruction of Computer Music for Computer Engineering Students and Professionals.
Proceedings of the 1994 International Computer Music Conference, 1994

1993
Efficient Synthesis of Stringed Musical Instruments.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

Real Time Sound Processing and Synthesis on Multiple DSPs Using the Music Kit and the Ariel Quint Processor.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

Physical Modeling with the 2-D Digital Waveguide Mesh.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

A MIDI Control and Performance System for Brass Instruments.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1992
The Second-Order Digital Waveguide Oscillator.
Proceedings of the 1992 International Computer Music Conference, 1992

Implementation of a Variable Pick-Up Point on a Waveguide String Model with FM/AM Applications.
Proceedings of the 1992 International Computer Music Conference, 1992

1991
Waveguide Simulation of Non-Cylindrical Acoustic Tubes.
Proceedings of the 1991 International Computer Music Conference, 1991

Viewpoints on the History of Digital Synthesis.
Proceedings of the 1991 International Computer Music Conference, 1991

Digital Waveguide Modelling of Reed Woodwinds: An Interactive Development.
Proceedings of the 1991 International Computer Music Conference, 1991

Restoring a clipped signal.
Proceedings of the 1991 International Conference on Acoustics, 1991

1990
Pulsed Noise in Musical Systems, Techniques for Extraction, Analysis and Visualization.
Proceedings of the 1990 International Computer Music Conference, 1990

1989
Source range and depth estimation from multipath range difference measurements.
IEEE Trans. Acoust. Speech Signal Process., 1989

Unit-Generator Implementation on the NeXT DSP Chip.
Proceedings of the 1989 International Computer Music Conference, 1989

Spectral Modeling Synthesis.
Proceedings of the 1989 International Computer Music Conference, 1989

1987
Closed-form least-squares source location estimation from range-difference measurements.
IEEE Trans. Acoust. Speech Signal Process., 1987

PARSHL: An Analysis/Synthesis Program for Non-Harmonic Sounds Based on a Sinusoidal Representation.
Proceedings of the 1987 International Computer Music Conference, 1987

Waveguide Filter Tutorial.
Proceedings of the 1987 International Computer Music Conference, 1987

The spherical interpolation method for closed-form passive source localization using range difference measurements.
Proceedings of the IEEE International Conference on Acoustics, 1987

1986
Efficient Simulation of the Reed-Bore and Bow-String Mechanisms.
Proceedings of the 1986 International Computer Music Conference, 1986

Current Work at CCRMA: An Overview.
Proceedings of the 1986 International Computer Music Conference, 1986

1985
Adaptive multipath delay estimation.
IEEE Trans. Acoust. Speech Signal Process., 1985

A New Approach to Digital Reverberation Using Waveguide Networks.
Proceedings of the 1985 International Computer Music Conference, 1985

A Sine Generation Algorithm for VLSI Applications.
Proceedings of the 1985 International Computer Music Conference, 1985

Techniques for Note Identification in Polyphonic Music.
Proceedings of the 1985 International Computer Music Conference, 1985

Global convergence of the constant modulus algorithm.
Proceedings of the IEEE International Conference on Acoustics, 1985

1984
Analysis and performance evaluation of an adaptive notch filter.
IEEE Trans. Inf. Theory, 1984

An Allpass Approach to Digital Phasing and Flanging.
Proceedings of the 1984 International Computer Music Conference, 1984

A flexible sampling-rate conversion method.
Proceedings of the IEEE International Conference on Acoustics, 1984

1983
Spectral Pre-Processing for Audio Digital Filter Design.
Proceedings of the 1983 International Computer Music Conference, 1983

1982
Synthesis of Bowed Strings.
Proceedings of the 1982 International Computer Music Conference, 1982

Recent Research in Computer Music at CCRMA.
Proceedings of the COMPCON'82, 1982


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