Tom Mitchell
Orcid: 0000-0003-0761-9503Affiliations:
- University of the West of England, Bristol, Department of Computer Science and Creative Technologies, UK
According to our database1,
Tom Mitchell
authored at least 32 papers
between 2005 and 2024.
Collaborative distances:
Collaborative distances:
Timeline
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Bibliography
2024
The Ballad of the Bots: Sonification Using Cognitive Metaphor to Support Immersed Teleoperation of Robot Teams.
CoRR, 2024
2023
Participatory Conceptual Design of Accessible Digital Musical Instruments using Generative AI.
Proceedings of the 23rd International Conference on New Interfaces for Musical Expression, 2023
2022
Frontiers Virtual Real., 2022
Concurr. Comput. Pract. Exp., 2022
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022
Proceedings of the CHI '22: CHI Conference on Human Factors in Computing Systems, New Orleans, LA, USA, 29 April 2022, 2022
2021
Assessing the Role of Gaze Tracking in Optimizing Humans-In-The-Loop Telerobotic Operation Using Multimodal Feedback.
Frontiers Robotics AI, 2021
2020
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020
Composing computer generated music, an observational study using IGME: the Interactive Generative Music Environment.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020
Towards molecular musical instruments: interactive sonifications of 17-alanine, graphene and carbon nanotubes.
Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020
Was that me?: exploring the effects of error in gestural digital musical instruments.
Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020
2019
An open-source multi-person virtual reality framework for interactive molecular dynamics: from quantum chemistry to drug binding.
CoRR, 2019
The use of different feedback modalities and verbal collaboration in tele-robotic assistance.
Proceedings of the 13th IEEE International Symposium on Robotic and Sensors Environments, 2019
Proceedings of the International Workshop on OpenCL, 2019
2018
Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians.
Digit. Creativity, 2018
Proceedings of the 5th International Conference on Movement and Computing, 2018
Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 2018
2017
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017
2016
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016
Proceedings of the Evolutionary and Biologically Inspired Music, Sound, Art and Design, 2016
Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems, 2016
2015
2014
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014
Proceedings of the Music Technology meets Philosophy, 2014
2012
Automated evolutionary synthesis matching - Advanced evolutionary algorithms for difficult sound matching problems.
Soft Comput., 2012
Musical Interaction with Hand Posture and Orientation: A Toolbox of Gestural Control Mechanisms.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012
2011
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011
2007
Proceedings of the Sixth International Conference on Machine Learning and Applications, 2007
2005
Convergence Synthesis of Dynamic Frequency Modulation Tones Using an Evolution Strategy.
Proceedings of the Applications of Evolutionary Computing, 2005