Sérgio M. C. Nascimento

Orcid: 0000-0002-2503-9003

According to our database1, Sérgio M. C. Nascimento authored at least 17 papers between 2005 and 2020.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

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In proceedings 
Article 
PhD thesis 
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Links

On csauthors.net:

Bibliography

2020
How Good Are RGB Cameras Retrieving Colors of Natural Scenes and Paintings? - A Study Based on Hyperspectral Imaging.
Sensors, 2020

Art through the Colors of Graffiti: From the Perspective of the Chromatic Structure.
Sensors, 2020

2015
Visual Search for Normal Color and Dichromatic Observers Using a Unique Distracter Color.
Proceedings of the Computational Color Imaging - 5th International Workshop, 2015

Estimating the Colors of Paintings.
Proceedings of the Computational Color Imaging - 5th International Workshop, 2015

The Display Gamut Available to Simulate Colors Perceived by Anomalous Trichromats.
Proceedings of the Computational Color Imaging - 5th International Workshop, 2015

2013
Analysis of paintings using multi-sensor data.
Proceedings of the 21st European Signal Processing Conference, 2013

2012
Psychophysical estimation of the best lighting for commercial counters of fruits and vegetables.
Proceedings of the 6th European Conference on Colour in Graphics, Imaging, and Vision, 2012

Judgments about the intensity of the illumination are influenced by the association between colour and luminance in the scene.
Proceedings of the 6th European Conference on Colour in Graphics, Imaging, and Vision, 2012

2010
Chromatic effects of metamers of daylights.
Proceedings of the 5th European Conference on Colour in Graphics, 2010

Chromatic diversity index - an approach based on natural scenes.
Proceedings of the 5th European Conference on Colour in Graphics, 2010

2008
Coding efficiency of CIE color spaces.
Proceedings of the 16th Color and Imaging Conference, 2008

Illuminant spectrum maximizing the number of perceived colors in art paintings.
Proceedings of the 4th European Conference on Colour in Graphics, 2008

The number of colors perceived by dichromats when appreciating art paintings under standard illuminants.
Proceedings of the 4th European Conference on Colour in Graphics, 2008

2006
Spectral recovery from natural scenes with an RGB digital camera.
Proceedings of the 3rd European Conference on Colour in Graphics, Imaging, and Vision, 2006

Spectral characterization of a hyperspectral system for imaging of large art paintings.
Proceedings of the 3rd European Conference on Colour in Graphics, Imaging, and Vision, 2006

Color constancy in natural scenes independent of an explicit illuminant cue.
Proceedings of the 3rd European Conference on Colour in Graphics, Imaging, and Vision, 2006

2005
Incidence of Metamerism in Natural Scenes.
Proceedings of the 13th Color and Imaging Conference, 2005


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