Sarah Fdili Alaoui

Orcid: 0000-0003-1775-213X

According to our database1, Sarah Fdili Alaoui authored at least 44 papers between 2011 and 2024.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
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Links

Online presence:

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Bibliography

2024
What Counts as 'Creative' Work? Articulating Four Epistemic Positions in Creativity-Oriented HCI Research.
Proceedings of the CHI Conference on Human Factors in Computing Systems, 2024

Tuning In to Intangibility : Reflections from My First 3 Years of Theremin Learning.
Proceedings of the Designing Interactive Systems Conference, 2024

A Retrospective Autoethnography Documenting Dance Learning Through Data Physicalisations.
Proceedings of the Designing Interactive Systems Conference, 2024

2023
Futuring (CHI)Art: Building a Collective Common Future.
Proceedings of the Extended Abstracts of the 2023 CHI Conference on Human Factors in Computing Systems, 2023

Is it Art, is it HCI? Exploring Tensions Between Practice and Research.
Proceedings of the Extended Abstracts of the 2023 CHI Conference on Human Factors in Computing Systems, 2023

Designing in Conversation With Dance Practice.
Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems, 2023

Suspended Circles: Soma Designing a Musical Instrument.
Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems, 2023

Supporting Perception of Spatiality in Dance in Augmented Reality.
Proceedings of the Creativity and Cognition, 2023

Physicalizing loops.
Proceedings of the Creativity and Cognition, 2023

Embracing the messy and situated practice of dance technology design.
Proceedings of the 2023 ACM Designing Interactive Systems Conference, 2023

Dance-Led Research. (Recherche par la danse).
, 2023

2022
"Explorers of Unknown Planets": Practices and Politics of Artificial Intelligence in Visual Arts.
Proc. ACM Hum. Comput. Interact., 2022

The State of the (CHI)Art.
Proceedings of the CHI '22: CHI Conference on Human Factors in Computing Systems, New Orleans, LA, USA, 29 April 2022, 2022

CO/DA: Live-Coding Movement-Sound Interactions for Dance Improvisation.
Proceedings of the CHI '22: CHI Conference on Human Factors in Computing Systems, New Orleans, LA, USA, 29 April 2022, 2022

Visualizing Isadora Duncan's movements qualities.
Proceedings of the C&C '22: Creativity and Cognition, Venice, Italy, June 20 - 23, 2022, 2022

Wearable Choreographer: Designing Soft-Robotics for Dance Practice.
Proceedings of the DIS '22: Designing Interactive Systems Conference, Virtual Event, Australia, June 13, 2022

2021
Exploring the Role of Artifacts in Collective Dance Re-staging.
Proc. ACM Hum. Comput. Interact., 2021

Reconciling Technology-Driven and Experiential Approaches for Movement-Based Design: Réconcilier les approches technologiques et expérientielles pour le design basé sur le mouvement.
Proceedings of the IHM '21 - 32e Conférence Francophone sur l'Interaction Homme-Machine, Virtual Event, France, April 13, 2021

RCO : Investigating Social and Technological Constraints through Interactive Dance.
Proceedings of the CHI '21: CHI Conference on Human Factors in Computing Systems, 2021

Studying Choreographic Collaboration in the Wild.
Proceedings of the DIS '21: Designing Interactive Systems Conference 2021, 2021

2020
Articulating Experience: Reflections from Experts Applying Micro-Phenomenology to Design Research in HCI.
Proceedings of the CHI '20: CHI Conference on Human Factors in Computing Systems, 2020

2019
Capturing Movement Decomposition to Support Learning and Teaching in Contemporary Dance.
Proc. ACM Hum. Comput. Interact., 2019

Deconstructing Creativity: Non-Linear Processes and Fluid Roles in Contemporary Music and Dance.
Proc. ACM Hum. Comput. Interact., 2019

Shifting Spaces: Using Defamiliarization to Design Choreographic Technologies That Support Co-Creation.
Proceedings of the 6th International Conference on Movement and Computing, 2019

Understanding Kinaesthetic Creativity in Dance.
Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems, 2019

Making an Interactive Dance Piece: Tensions in Integrating Technology in Art.
Proceedings of the 2019 on Designing Interactive Systems Conference, DIS 2019, San Diego, 2019

2018
How Do Dancers Learn To Dance?: A first-person perspective of dance acquisition by expert contemporary dancers.
Proceedings of the 5th International Conference on Movement and Computing, 2018

Knotation: Exploring and Documenting Choreographic Processes.
Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, 2018

Radical Choreographic Object [RCO].
Proceedings of the Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing Systems, 2018

2017
Cultivating kinaesthetic awareness through interaction: Perspectives from somatic practices and embodied cognition.
Proceedings of the 4th International Conference on Movement Computing, 2017

Designing for Kinesthetic Awareness: Revealing User Experiences through Second-Person Inquiry.
Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems, 2017

Seeing, Sensing and Recognizing Laban Movement Qualities.
Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems, 2017

2016
How Do Choreographers Craft Dance?: Designing for a Choreographer-Technology Partnership.
Proceedings of the 3rd International Symposium on Movement and Computing, 2016

2015
Interactive Visuals as Metaphors for Dance Movement Qualities.
ACM Trans. Interact. Intell. Syst., 2015

How do experts observe movement?
Proceedings of the 2nd International Workshop on Movement and Computing, 2015

Strategies for Embodied Design: The Value and Challenges of Observing Movement.
Proceedings of the 2015 ACM SIGCHI Conference on Creativity and Cognition, 2015

2014
Choreography as Mediated through Compositional Tools for Movement: Constructing A Historical Perspective.
Proceedings of the International Workshop on Movement and Computing, 2014

Designing for movement: evaluating computational models using LMA effort qualities.
Proceedings of the CHI Conference on Human Factors in Computing Systems, 2014

Vocalizing dance movement for interactive sonification of laban effort factors.
Proceedings of the Designing Interactive Systems Conference 2014, DIS '14, Vancouver, BC, 2014

2013
Dance interaction with physical model visuals based on movement qualities.
Int. J. Arts Technol., 2013

Chiseling bodies: an augmented dance performance.
Proceedings of the 2013 ACM SIGCHI Conference on Human Factors in Computing Systems, 2013

2012
Analyse du geste dansé et retours visuels par modèles physiques : apport des qualités de mouvement à l'interaction avec le corps entier. (Dance Gesture Analysis and Visual Feedback based on Physical Models : Contributions of Movement Qualities in Whole Body Interaction).
PhD thesis, 2012

Movement qualities as interaction modality.
Proceedings of the Designing Interactive Systems Conference 2012, 2012

2011
From dance to touch: movement qualities for interaction design.
Proceedings of the International Conference on Human Factors in Computing Systems, 2011


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