Sanna Wager

According to our database, Sanna Wager authored at least 9 papers between 2017 and 2022.

Collaborative distances:

• Dijkstra number of four.
• Erdős number of four.

2022

Upmixing Via Style Transfer: A Variational Autoencoder for Disentangling Spatial Images And Musical Content.

Haici Yang, Sanna Wager, Spencer Russell, Mike Luo, Minje Kim, Wontak Kim

Proceedings of the IEEE International Conference on Acoustics, 2022

2020

Dereverberation using joint estimation of dry speech signal and acoustic system.

Sanna Wager, Keunwoo Choi, Simon Durand

CoRR, 2020

Deep Autotuner: A Pitch Correcting Network for Singing Performances.

Sanna Wager, George Tzanetakis, Cheng-i Wang, Minje Kim

Proceedings of the 2020 IEEE International Conference on Acoustics, 2020

Fully Learnable Front-End for Multi-Channel Acoustic Modeling Using Semi-Supervised Learning.

Sanna Wager, Aparna Khare, Minhua Wu, Ken'ichi Kumatani, Shiva Sundaram

Proceedings of the 2020 IEEE International Conference on Acoustics, 2020

2019

Deep Autotuner: A Data-Driven Approach to Natural-Sounding Pitch Correction for Singing Voice in Karaoke Performances.

Sanna Wager, George Tzanetakis, Cheng-i Wang, Lijiang Guo, Aswin Sivaraman, Minje Kim

CoRR, 2019

Intonation: A Dataset of Quality Vocal Performances Refined by Spectral Clustering on Pitch Congruence.

Sanna Wager, George Tzanetakis, Stefan Sullivan, Cheng-i Wang, John Shimmin, Minje Kim, Perry Cook

Proceedings of the IEEE International Conference on Acoustics, 2019

2018

A Data-Driven Approach to Smooth Pitch Correction for Singing Voice in Pop Music.

Sanna Wager, Lijiang Guo, Aswin Sivaraman, Minje Kim

CoRR, 2018

Collaborative Speech Dereverberation: Regularized Tensor Factorization for Crowdsourced Multi-Channel Recordings.

Sanna Wager, Minje Kim

Proceedings of the 26th European Signal Processing Conference, 2018

2017

Towards expressive instrument synthesis through smooth frame-by-frame reconstruction: From string to woodwind.

Sanna Wager, Liang Chen, Minje Kim, Christopher Raphael

Proceedings of the 2017 IEEE International Conference on Acoustics, 2017