Sandra Peter

Orcid: 0000-0002-8431-7368

According to our database1, Sandra Peter authored at least 11 papers between 2018 and 2024.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of five.

Timeline

Legend:

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In proceedings 
Article 
PhD thesis 
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Links

On csauthors.net:

Bibliography

2024
Conceptualizing generative AI as style engines: Application archetypes and implications.
Int. J. Inf. Manag., 2024

Creative Assistants with Style: Making Sense of Generative AI as "Style Engines".
Proceedings of the 57th Hawaii International Conference on System Sciences, 2024

Finding Algorithmic Fairness: An Analysis of how Literature Considers Algorithmic Fairness from Different Stakeholder Perspectives.
Proceedings of the 30th Americas Conference on Information Systems: Elevating Life through Digital Social Entrepreneurship, 2024

2023
Human Agency in AI Configurations Supporting Organizational Decision-making.
Proceedings of the Australasian Conference on Information Systems, 2023

What the Lone Banana Problem reveals about the Nature of Generative AI.
Proceedings of the Australasian Conference on Information Systems, 2023

Fairness for Hire: An Investigation of how Software Suppliers Construct Fairness in the Employment Life Cycle.
Proceedings of the Australasian Conference on Information Systems, 2023

2021
Research Perspectives: From Other Worlds: Speculative Engagement Through Digital Geographies.
J. Assoc. Inf. Syst., 2021

2020
Digital contact-tracing adoption in the COVID-19 pandemic: IT governance for collective action at the societal level.
Eur. J. Inf. Syst., 2020

Artefacts from the Future: Engaging Audiences in possible Futures with Emerging Technologies for better Outcomes.
Proceedings of the 28th European Conference on Information Systems, 2020

2019
How the Future is Done.
Proceedings of the 52nd Hawaii International Conference on System Sciences, 2019

2018
Thinking with Monsters.
Proceedings of the Living with Monsters? Social Implications of Algorithmic Phenomena, Hybrid Agency, and the Performativity of Technology, 2018


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