S. M. Astrid Bin

According to our database, S. M. Astrid Bin authored at least 8 papers between 2016 and 2023.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of five.

2023

Where Few NIMEs Have Gone Before: Lessons in instrument design from Star Trek.

S. M. Astrid Bin

Proceedings of the 23rd International Conference on New Interfaces for Musical Expression, 2023

2022

The Other Hegemony: Effects of software development culture on music software, and what we can do about it.

Laurel Pardue, S. M. Astrid Bin

Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

2021

Discourse is critical: Towards a collaborative NIME history.

S. M. Astrid Bin

Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

2020

A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community.

Fabio Morreale, S. M. Astrid Bin, Andrew P. McPherson, Paul Stapleton, Marcelo M. Wanderley

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2018

Risky business: Disfluency as a design strategy.

S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

2017

In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance.

S. M. Astrid Bin, Fabio Morreale, Nick Bryan-Kinns, Andrew P. McPherson

Proceedings of the Human-Computer Interaction - INTERACT 2017, 2017

Hands where we can see them! Investigating the impact of gesture size on audience perception.

S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson

Proceedings of the 2017 International Computer Music Conference, 2017

2016

Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response.

S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson

Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016