Robert H. Jack

According to our database, Robert H. Jack authored at least 9 papers between 2016 and 2022.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of five.

2022

Sound -> Object -> Gesture: Physical Affordances of Virtual Materials.

Jonathan Pigrem, Andrew P. McPherson, Nick Bryan-Kinns, Robert H. Jack

Proceedings of the AM '22: AudioMostly 2022, St. Pölten, 2022

2020

Digital Musical Instruments as Research Products.

Robert H. Jack, Jacob Harrison, Andrew P. McPherson

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2018

Democratising DMIs: the relationship of expertise and control intimacy.

Robert H. Jack, Jacob Harrison, Fabio Morreale, Andrew P. McPherson

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise.

Jacob Harrison, Robert H. Jack, Fabio Morreale, Andrew P. McPherson

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

2017

Maintaining and Constraining Performer Touch in the Design of Digital Musical Instruments.

Robert H. Jack, Tony Stockman, Andrew P. McPherson

Proceedings of the Tenth International Conference on Tangible, 2017

Rich gesture, reduced control: the influence of constrained mappings on performance technique.

Robert H. Jack, Tony Stockman, Andrew P. McPherson

Proceedings of the 4th International Conference on Movement Computing, 2017

2016

Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback.

Robert H. Jack, Tony Stockman, Andrew P. McPherson

Proceedings of the TEI '16: Tenth International Conference on Tangible, 2016

Action-Sound Latency: Are Our Tools Fast Enough?

Andrew P. McPherson, Robert H. Jack, Giulio Moro

Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument.

Robert H. Jack, Tony Stockman, Andrew P. McPherson

Proceedings of the Audio Mostly 2016, Norrköping, Sweden, October 4-6, 2016, 2016