Rob Hamilton

Affiliations:
  • Rensselaer Polytechnic Institute, Department of the Arts, Troy, NY, USA
  • Stanford University, Center for Computer Research in Music and Acoustics (CCRMA), CA, USA


According to our database1, Rob Hamilton authored at least 28 papers between 2005 and 2021.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

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In proceedings 
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PhD thesis 
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Links

Online presence:

On csauthors.net:

Bibliography

2021
Music in Extended Realities.
IEEE Access, 2021

2019
Collaborative and Competitive Futures for Virtual Reality Music and Sound.
Proceedings of the IEEE Conference on Virtual Reality and 3D User Interfaces, 2019

Coretet: A Dynamic Virtual Musical Instrument for the Twenty-First Century.
Proceedings of the IEEE Conference on Virtual Reality and 3D User Interfaces, 2019

Coretet: A 21<sup>st</sup> Century Virtual Reality Musical Instrument for Solo and Networked Ensemble Performance.
Proceedings of the IEEE Conference on Virtual Reality and 3D User Interfaces, 2019

Mediated Musical Interactions in Virtual Environments.
Proceedings of the New Directions in Music and Human-Computer Interaction, 2019

2018
Nething: An Educational Open-source Web-based Graphical User Interface for Controlling Ambisonic And Wave Field Speaker Arrays.
Proceedings of the 2018 International Computer Music Conference, 2018

2017
Interactive Music and Media at Rensselaer: Studio Report 2017.
Proceedings of the 2017 International Computer Music Conference, 2017

madBPM: A Modular Multimodal Environment for Data-Driven Composition And Sonification.
Proceedings of the 2017 International Computer Music Conference, 2017

Musical Sonification of Super High Frequency Lighting.
Proceedings of the 2017 International Computer Music Conference, 2017

2016
Gesture-based Collaborative Virtual Reality Performance in Carillon.
Proceedings of the 2016 International Computer Music Conference, 2016

2015
Perceptual coherence as an analytic for procedural music and audio mappings in virtual space.
Proceedings of the 2nd IEEE VR Workshop on Sonic Interactions for Virtual Environments, 2015

Measuring the Effectiveness of Sonified Crossmodal Attribute Pairings Using Contour Matching, Symmetry and Perceived Similarity.
Proceedings of the Looking Back, 2015

2014
The Procedural Sounds and Music of ECHO: : Canyon.
Proceedings of the Music Technology meets Philosophy, 2014

2013
Sonifying Game-Space Choreographies With UDKOSC.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

Musical Sonification of Avatar Physiologies, Virtual Flight and Gesture.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

2011
Multi-modal musical environments for mixed-reality performance.
J. Multimodal User Interfaces, 2011

World Stage: A Crowd-sourcing Paradigm for Interactive Social / Mobile Music.
Proceedings of the 2011 International Computer Music Conference, 2011

UDKOSC: An immersive musical environment.
Proceedings of the 2011 International Computer Music Conference, 2011

2009
Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social.
Proceedings of the 2009 International Computer Music Conference, 2009

Stanford Laptop Orchestra (SLOrk).
Proceedings of the 2009 International Computer Music Conference, 2009

For Jean-Claude: [re]Presenting Duet for One Pianist.
Proceedings of the 2009 International Computer Music Conference, 2009

2008
Q3osc or: How I Learned to Stopworrying and Love the Bomb Game.
Proceedings of the 2008 International Computer Music Conference, 2008

2007
Maps and Legends: FPS-Based Interfaces for Composition and Immersive Performance.
Proceedings of the 2007 International Computer Music Conference, 2007

Back to the Sea: a Software Realization of Dexter Morrill's Sea Songs.
Proceedings of the 2007 International Computer Music Conference, 2007

Maps and Legends: Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance.
Proceedings of the Computer Music Modeling and Retrieval. Sense of Sounds, 2007

2006
Bioinformatic Feedback: performer bio-data as a driver for real-time composition.
Proceedings of the New Interfaces for Musical Expression, 2006

Bioinformatic Response Data as a Compositional Driver.
Proceedings of the 2006 International Computer Music Conference, 2006

2005
The jChing: a Java-Based Algorithmic Composition Tool.
Proceedings of the 2005 International Computer Music Conference, 2005


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