Perry R. Cook

Affiliations:
  • Princeton University, Departments of Computer Science and Music, NJ, USA


According to our database1, Perry R. Cook authored at least 112 papers between 1989 and 2021.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Awards

ACM Fellow

ACM Fellow 2008, "For contributions to computer music, physics-based sound synthesis and voice analysis/synthesis.".

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
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Other 

Links

Online presence:

On csauthors.net:

Bibliography

2021
Behold the Ch!Ld.
Commun. ACM, 2021

2019
Intonation: A Dataset of Quality Vocal Performances Refined by Spectral Clustering on Pitch Congruence.
Proceedings of the IEEE International Conference on Acoustics, 2019

2016
Adding art to STEM.
Commun. ACM, 2016

2015
ChucK: A Strongly Timed Computer Music Language.
Comput. Music. J., 2015

2013
Teaching Computer Science to Digital artists through Music and sound.
Proceedings of the 39th International Computer Music Conference, 2013

2012
Shortest Path Techniques for Annotation and Retrieval of Environmental Sounds.
Proceedings of the 13th International Society for Music Information Retrieval Conference, 2012

2011
Human model evaluation in interactive supervised learning.
Proceedings of the International Conference on Human Factors in Computing Systems, 2011

2010
Semantic Labeling of Nonspeech Audio Clips.
EURASIP J. Audio Speech Music. Process., 2010

A Multimodal Vocabulary for Augmentative and Alternative Communication from Sound/Image Label Datasets.
Proceedings of the Workshop on Speech and Language Processing for Assistive Technologies, 2010

Vocabulary navigation made easier.
Proceedings of the 15th International Conference on Intelligent User Interfaces, 2010

Bayesian Nonparametric Matrix Factorization for Recorded Music.
Proceedings of the 27th International Conference on Machine Learning (ICML-10), 2010

Toward Understanding Human-Computer Interaction In Composing The Instrument.
Proceedings of the 2010 International Computer Music Conference, 2010

SoundNet: investigating a language composed of environmental sounds.
Proceedings of the 28th International Conference on Human Factors in Computing Systems, 2010

Click on bake to get cookies: guiding word-finding with semantic associations.
Proceedings of the 12th International ACM SIGACCESS Conference on Computers and Accessibility, 2010

2009
Don't Forget the Loudspeaker - A History of Hemispherical Speakers at Princeton, Plus a DIY Guide.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

A Meta-Instrument for Interactive, On-the-Fly Machine Learning.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Re-Designing Principles for Computer Music Controllers: a Case Study of SqueezeVox Maggie.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

TAPESTREA: a new way to design sound.
Proceedings of the 17th International Conference on Multimedia 2009, 2009

W2ANE: when words are not enough: online multimedia language assistant for people with aphasia.
Proceedings of the 17th International Conference on Multimedia 2009, 2009

Easy As CBA: A Simple Probabilistic Model for Tagging Music.
Proceedings of the 10th International Society for Music Information Retrieval Conference, 2009

Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social.
Proceedings of the 2009 International Computer Music Conference, 2009

Toward Synthesized Environments: A Survey of Analysis and Synthesis Methods for Sound Designers and Composers.
Proceedings of the 2009 International Computer Music Conference, 2009

Bayesian Spectral Matching: Turning Young MC into MC Hammer via MCMC Sampling.
Proceedings of the 2009 International Computer Music Conference, 2009

Play-Along Mapping of Musical Controllers.
Proceedings of the 2009 International Computer Music Conference, 2009

The design of ViVA: a mixed-initiative visual vocabulary for aphasia.
Proceedings of the 27th International Conference on Human Factors in Computing Systems, 2009

How well do visual verbs work in daily communication for young and old adults?
Proceedings of the 27th International Conference on Human Factors in Computing Systems, 2009

Better vocabularies for assistive communication aids: connecting terms using semantic networks and untrained annotators.
Proceedings of the 11th International ACM SIGACCESS Conference on Computers and Accessibility, 2009

Speaking through pictures: images vs. icons.
Proceedings of the 11th International ACM SIGACCESS Conference on Computers and Accessibility, 2009

2008
Erratum: The Laptop Orchestra as Classroom.
Comput. Music. J., 2008

The Laptop Orchestra as Classroom.
Comput. Music. J., 2008

Composing for Laptop Orchestra.
Comput. Music. J., 2008

Music Information Retrieval in ChucK; Real-Time Prototyping for MIR Systems & Performance.
Proceedings of the ISMIR 2008, 2008

Content-Based Musical Similarity Computation using the Hierarchical Dirichlet Process.
Proceedings of the ISMIR 2008, 2008

Support for MIR Prototyping and Real-Time Applications in the ChucK Programming Language.
Proceedings of the ISMIR 2008, 2008

Freedom in Tapestrea! Voice-Aware Track Manipulations.
Proceedings of the 2008 International Computer Music Conference, 2008

Data-Driven Recomposition using the Hierarchical Dirichlet Process Hidden Markov Model.
Proceedings of the 2008 International Computer Music Conference, 2008

Foundations for on-the-Fly Learning in the Chuck Programming Language.
Proceedings of the 2008 International Computer Music Conference, 2008

Creating and evaluating a video vocabulary for communicating verbs for different age groups.
Proceedings of the 10th International ACM SIGACCESS Conference on Computers and Accessibility, 2008

2007
Synthesis of Hand Clapping Sounds.
IEEE Trans. Speech Audio Process., 2007

Real-Time Feature-Based Synthesis for Live Musical Performance.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

Combining Analysis and synthesis in the Chuck Programming Language.
Proceedings of the 2007 International Computer Music Conference, 2007

The Featsynth Framework for Feature-Based synthesis: Design and Applications.
Proceedings of the 2007 International Computer Music Conference, 2007

2006
TAPESTREA: sound scene modeling by example.
Proceedings of the International Conference on Computer Graphics and Interactive Techniques, 2006

On-the-fly Counterpoint.
Proceedings of the International Conference on Computer Graphics and Interactive Techniques, 2006

Building Collaborative Graphical interFaces in the Audicle.
Proceedings of the New Interfaces for Musical Expression, 2006

Creating a Network of Integral Music Controllers..
Proceedings of the New Interfaces for Musical Expression, 2006

Feature-Based Synthesis: A Tool for Evaluating, Designing, and Interacting with Music IR Systems.
Proceedings of the ISMIR 2006, 2006

PLOrk: The Princeton Laptop Orchestra, Year 1.
Proceedings of the 2006 International Computer Music Conference, 2006

miniAudicle and ChucK Shell: New Interfaces for ChucK Development and Performance.
Proceedings of the 2006 International Computer Music Conference, 2006

Musical Tapestry: Re-composing Natural Sounds.
Proceedings of the 2006 International Computer Music Conference, 2006

Feature-Based Synthesis: Mapping Acoustic and Perceptual Features onto Synthesis Parameters.
Proceedings of the 2006 International Computer Music Conference, 2006

2005
Tools and Applications for Large-Scale Display Walls.
IEEE Computer Graphics and Applications, 2005

Yeah, ChucK It! => Dynamic, Controllable Interface Mapping.
Proceedings of the New Interfaces for Musical Expression, 2005

Real-Time Performance Controllers for Synthesized Singing.
Proceedings of the New Interfaces for Musical Expression, 2005

Visual/Acoustic Emotion Recognition.
Proceedings of the 2005 IEEE International Conference on Multimedia and Expo, 2005

Co-Audicle: a Collaborative audio Programming Space.
Proceedings of the 2005 International Computer Music Conference, 2005

Designing and Implementing the Chuck Programming Language.
Proceedings of the 2005 International Computer Music Conference, 2005

Rtmidi, Rtaudio, and a synthesis Toolkit (STK) Update.
Proceedings of the 2005 International Computer Music Conference, 2005

Nearest Centroid error Clustering for radial/elliptical Basis Function Neural Networks in Timbre Classification.
Proceedings of the 2005 International Computer Music Conference, 2005

Sndtools: Real-Time audio DSP and 3D Visualization.
Proceedings of the 2005 International Computer Music Conference, 2005

The integral Music controller: Introducing a Direct Emotional Interface to gestural control of sound synthesis.
Proceedings of the 2005 International Computer Music Conference, 2005

2004
Music analysis and retrieval systems for audio signals.
J. Assoc. Inf. Sci. Technol., 2004

Musical Applications of Banded Waveguides.
Comput. Music. J., 2004

Theory of Banded Waveguides.
Comput. Music. J., 2004

Eduardo Reck Miranda: Mother Tongue.
Comput. Music. J., 2004

Computer music: Copyright restrictions prevent ACM from providing the full text for this work.
Proceedings of the International Conference on Computer Graphics and Interactive Techniques, 2004

"On-the-fly Programming: Using Code as an Expressive Musical Instrument".
Proceedings of the New Interfaces for Musical Expression, 2004

The Electronic Sitar Controller.
Proceedings of the New Interfaces for Musical Expression, 2004

ChucK: a programming language for on-the-fly, real-time audio synthesis and multimedia.
Proceedings of the 12th ACM International Conference on Multimedia, 2004

The Audicle: A Context-Sensitive, On-the-fly Audio Programming Environ/mentality.
Proceedings of the 2004 International Computer Music Conference, 2004

Re-coupling: the uBlotar synthesis instrument and the sHowl speaker-feedback controller.
Proceedings of the 2004 International Computer Music Conference, 2004

Digitizing North Indian Performance.
Proceedings of the 2004 International Computer Music Conference, 2004

2003
ChucK: A Concurrent, On-the-fly, Audio Programming Language.
Proceedings of the 2003 International Computer Music Conference, 2003

2002
Musical genre classification of audio signals.
IEEE Trans. Speech Audio Process., 2002

Sound Production and Modeling.
IEEE Computer Graphics and Applications, 2002

Guest Editor's Introduction: Virtual Worlds, Real Sounds.
IEEE Computer Graphics and Applications, 2002

The Electronic Tabla Controller.
Proceedings of the New Interfaces for Musical Expression, 2002

Pitch Histograms in Audio and Symbolic Music Information Retrieval.
Proceedings of the ISMIR 2002, 2002

Beyond the Query-By-Example Paradigm: New Query Interfaces for Music Information Retrieval.
Proceedings of the 2002 International Computer Music Conference, 2002

Banded Waveguides on Circular Topologies and of Beating Modes: Tibetan Singing Bowls and Glass Harmonicas.
Proceedings of the 2002 International Computer Music Conference, 2002

2001
Synthesizing sounds from physically based motion.
Proceedings of the 28th Annual Conference on Computer Graphics and Interactive Techniques, 2001

Principles for Designing Computer Music Controllers.
Proceedings of the New Interfaces for Musical Expression, 2001

Princeton Sound Kitchen Open Source Software Report.
Proceedings of the 2001 International Computer Music Conference, 2001

2000
Building and Using A Scalable Display Wall System.
IEEE Computer Graphics and Applications, 2000

Audio Information Retrieval (AIR) Tools.
Proceedings of the ISMIR 2000, 2000

Alternative Voices for Electronic Sound: Spherical Speakers and Sensor-Speaker Arrays (SenSAs).
Proceedings of the 2000 International Computer Music Conference, 2000

squeezeVox: A New Controller for Vocal Synthesis Models.
Proceedings of the 2000 International Computer Music Conference, 2000

Sound analysis using MPEG compressed audio.
Proceedings of the IEEE International Conference on Acoustics, 2000

1999
BoSSA: The Deconstructed Violin Reconstructed.
Proceedings of the 1999 International Computer Music Conference, 1999

Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments.
Proceedings of the 1999 International Computer Music Conference, 1999

The Synthesis ToolKit (STK).
Proceedings of the 1999 International Computer Music Conference, 1999

A Framework for Audio Analysis based on Classification and Temporal Segmentation.
Proceedings of the 25th EUROMICRO '99 Conference, 1999

1998
Listen up! Realtime auditory interfaces for the real world (panel).
Proceedings of the ACM SIGGRAPH 98 Conference Abstracts and Applications, 1998

NBody: Interactive Multidirectional Musical Instrument Body Radiation Simulators, and a Database of Measured Impulse Responses.
Proceedings of the 1998 International Computer Music Conference, 1998

1997
Physical Modeling Simulation of the ancient Greek Elgin Auloi.
Proceedings of the 1997 International Computer Music Conference, 1997

1996
Physically Informed Sonic Modeling (PhISM): Percussive Synthesis.
Proceedings of the 1996 International Computer Music Conference, 1996

1995
Integration of Physical Modeling for Synthesis and Animation.
Proceedings of the 1995 International Computer Music Conference, 1995

A Hierarchical System for Controlling Synthesis by Phyical Modeling.
Proceedings of the 1995 International Computer Music Conference, 1995

1994
Combined Linear and Nonlinear Periodic Prediction in Calibrating Models of Musical Instruments to Recordings.
Proceedings of the 1994 International Computer Music Conference, 1994

1993
Studio Report: Center for Computer Research in Music and Acoustics (CCRMA).
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

A MIDI Control and Performance System for Brass Instruments.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

IGDIS (Instrument for Greek DIction and Singing): A Modern Greek Text to Speech/Singing Program for the SPASM/Singer Instrument.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1992
The Second-Order Digital Waveguide Oscillator.
Proceedings of the 1992 International Computer Music Conference, 1992

A Meta-Wind-Instrument Physical Model, and a Meta-Controller for Real-Time Performance Control.
Proceedings of the 1992 International Computer Music Conference, 1992

1991
Digital Waveguide Modelling of Reed Woodwinds: An Interactive Development.
Proceedings of the 1991 International Computer Music Conference, 1991

LECTOR: An Ecclesiastical Latin Control Language for the SPASM/singer Instrument.
Proceedings of the 1991 International Computer Music Conference, 1991

TBone: An Interactive WaveGuide Brass Instrument Synthesis Workbench for the NeXT Machine.
Proceedings of the 1991 International Computer Music Conference, 1991

Non Linear Periodic Prediction for On-Line Identification of Oscillator Characteristics in Woodwind Instruments.
Proceedings of the 1991 International Computer Music Conference, 1991

1990
Pulsed Noise in Musical Systems, Techniques for Extraction, Analysis and Visualization.
Proceedings of the 1990 International Computer Music Conference, 1990

1989
Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work.
Proceedings of the 1989 International Computer Music Conference, 1989

Synthesis fo the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract.
Proceedings of the 1989 International Computer Music Conference, 1989


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