Pedro Alves da Veiga

According to our database, Pedro Alves da Veiga authored at least 10 papers between 2016 and 2023.

Collaborative distances:

• Dijkstra number of six.
• Erdős number of five.

2023

Generative Ominous Dataset: Testing the Current Public Perception of Generative Art.

Pedro Alves da Veiga

Proceedings of the 20th International Conference on Culture and Computer Science: Code and Materiality, 2023

Poetics of Instability: Subversion of Gravity through Digital Performative Art.

Clara Trigo, Pedro Alves da Veiga, Ivani Santana

Proceedings of the 11th International Conference on Digital and Interactive Arts, 2023

2022

Patient Zer0: Creating Online Generative Art During the COVID-19 Pandemic.

Pedro Alves da Veiga

Int. J. Art Cult. Des. Technol., December, 2022

2020

Curating the Everywhere Museum of Everything.

Pedro Alves da Veiga

Digit. Creativity, 2020

Hello, An Interactive Cinematic Generative Artwork.

Pedro Alves da Veiga

Proceedings of the Eleventh International Conference on Computational Creativity, 2020

2019

Tele-Media-Art: Feasibility Tests of Web-Based Dance Education for the Blind Using Kinect and Sound Synthesis of Motion.

José Rodrigues Dias, Rui Penha, Leonel Morgado, Pedro Alves da Veiga, Elizabeth Simão Carvalho, Adérito Fernandes Marcos

Int. J. Technol. Hum. Interact., 2019

A/r/cography: Art, Research and Communication.

Pedro Alves da Veiga

Proceedings of the ARTECH 2019: 9th International Conference on Digital and Interactive Arts, 2019

Digital Artivism and Collaborative Artistic Practice: Usage in a School Environment as a Citizenship Development Tool.

Ana Marques, Pedro Alves da Veiga

Proceedings of the ARTECH 2019: 9th International Conference on Digital and Interactive Arts, 2019

2017

Alchimia: A Non-Touch Interactive Artwork.

Pedro Alves da Veiga

Int. J. Creative Interfaces Comput. Graph., 2017

2016

Alchimia: an Inexplicable or Mysterious Transmutation, a Seemingly Magical Process of Transformation, Creation, or Combination.

Pedro Alves da Veiga

Proceedings of the 5th Joint Symposium on Computational Aesthetics, 2016