Norbert Schnell

Int. J. Child Comput. Interact., 2024

Harmonizing Abilities: Collaborative Digital Musical Instruments for Students with Complex Disabilities Using the Some for Many Strategy.

[BibT_eX]

[DOI]

Andreas Förster

Proceedings of the Extended Abstracts of the CHI Conference on Human Factors in Computing Systems, 2024

2023

Interactive Soundscape Tabletop to Promote Immersive Sound Experiences for People Living With Dementia and Their Caregivers.

[BibT_eX]

[DOI]

Patrizia Held

Florian Röhrl

Proceedings of the Mensch und Computer 2023, 2023

2022

Innovative Computerbasierte Musikinterfaces (ICMI).

[BibT_eX]

[DOI]

Proceedings of the Mensch und Computer 2022 - Workshopband, Darmstadt, Germany, September 4, 2022

2020

SnoeSky and SonicDive - Design and Evaluation of Two Accessible Digital Musical Instruments for a SEN School.

[BibT_eX]

[DOI]

Andreas Förster

Christina Komesker

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2019

Interaction Topologies in Mobile-Based Situated Networked Music Systems.

[BibT_eX]

[DOI]

Benjamin Matuszewski

Wirel. Commun. Mob. Comput., 2019

Entrain: Encouraging Social Interaction in Collective Music Making.

[BibT_eX]

[DOI]

Proceedings of the Special Interest Group on Computer Graphics and Interactive Techniques Conference, 2019

Innovative Computerbasierte Musikinterfaces (ICMI).

[BibT_eX]

[DOI]

Proceedings of the Mensch und Computer 2019, 2019

2017

Collective Loops: Multimodal Interactions Through Co-located Mobile Devices and Synchronized Audiovisual Rendering Based on Web Standards.

[BibT_eX]

[DOI]

Benjamin Matuszewski

Jean-Philippe Lambert

Sébastien Robaszkiewicz

Proceedings of the Tenth International Conference on Tangible, 2017

PiPo, a Plugin Interface for Afferent Data Stream Processing Operators.

[BibT_eX]

[DOI]

Proceedings of the 18th International Society for Music Information Retrieval Conference, 2017

2016

Introducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithm.

[BibT_eX]

[DOI]

Proceedings of the 2016 International Computer Music Conference, 2016

2015

Demo hour.

[BibT_eX]

[DOI]

Interactions, 2015

MaD.

[BibT_eX]

[DOI]

Interactions, 2015

Collective Sound Checks: Exploring Intertwined Sonic and Social Affordances of Mobile Web Applications.

[BibT_eX]

[DOI]

Sébastien Robaszkiewicz

Proceedings of the Ninth International Conference on Tangible, 2015

2014

The Role of Sound Source Perception in Gestural Sound Description.

[BibT_eX]

[DOI]

ACM Trans. Appl. Percept., 2014

Mapping Through Listening.

[BibT_eX]

[DOI]

Comput. Music. J., 2014

MaD: mapping by demonstration for continuous sonification.

[BibT_eX]

[DOI]

Jules Françoise

Proceedings of the Special Interest Group on Computer Graphics and Interactive Techniques Conference, 2014

Probabilistic Models for Designing Motion and Sound Relationships.

[BibT_eX]

[DOI]

Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

2013

A multimodal probabilistic model for gesture-based control of sound synthesis.

[BibT_eX]

[DOI]

Jules Françoise

Proceedings of the ACM Multimedia Conference, 2013

Gesture-based control of physical modeling sound synthesis: a mapping-by-demonstration approach.

[BibT_eX]

[DOI]

Jules Françoise

Proceedings of the ACM Multimedia Conference, 2013

MubuFunkScatShare: gestural energy and shared interactive music.

[BibT_eX]

[DOI]

Atau Tanaka

Baptiste Caramiaux

Proceedings of the 2013 ACM SIGCHI Conference on Human Factors in Computing Systems, 2013

De-Mo: designing action-sound relationships with the mo interfaces.

[BibT_eX]

[DOI]

Proceedings of the 2013 ACM SIGCHI Conference on Human Factors in Computing Systems, 2013

SIG NIME: music, technology, and human-computer interaction.

[BibT_eX]

[DOI]

Alexander Refsum Jensenius

Sidney S. Fels

Michael J. Lyons

Atau Tanaka

Proceedings of the 2013 ACM SIGCHI Conference on Human Factors in Computing Systems, 2013

2012

Extracting Human Expression For Interactive Composition with the Augmented Violin.

[BibT_eX]

[DOI]

Mari Kimura

Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

The urban musical game: using sport balls as musical interfaces.

[BibT_eX]

[DOI]

Proceedings of the CHI Conference on Human Factors in Computing Systems, 2012

2011

Sample Orchestrator : gestion par le contenu d'échantillons sonores.

[BibT_eX]

[DOI]

Traitement du Signal, 2011

Modular musical objects towards embodied control of digital music.

[BibT_eX]

[DOI]

Proceedings of the 5th International Conference on Tangible and Embedded Interaction 2011, 2011

Playing the "MO" - Gestural Control and Re-Embodiment of Recorded Sound and Music.

[BibT_eX]

[DOI]

Julien Blois

Fabrice Guédy

Emmanuel Fléty

Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Gestural Embodiment of Environmental Sounds: an Experimental Study.

[BibT_eX]

[DOI]

Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Sound Selection by Gestures.

[BibT_eX]

[DOI]

Baptiste Caramiaux

Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

2010

A Modular Sound Descriptor Analysis Framework For Relaxed-Real-Time Applications.

[BibT_eX]

[DOI]

Proceedings of the 2010 International Computer Music Conference, 2010

Grainstick: A Collaborative, Interactive Sound Installation.

[BibT_eX]

[DOI]

Proceedings of the 2010 International Computer Music Conference, 2010

2009

Scalability in Content-Based Navigation of Sound Databases.

[BibT_eX]

[DOI]

Sébastien Gulluni

Proceedings of the 2009 International Computer Music Conference, 2009

MuBu and Friends - Assembling Tools for Content Based Real-Time Interactive Audio Processing in Max/MSP.

[BibT_eX]

[DOI]

Proceedings of the 2009 International Computer Music Conference, 2009

Towards a Gesture-Sound Cross-Modal Analysis.

[BibT_eX]

[DOI]

Baptiste Caramiaux

Proceedings of the Gesture in Embodied Communication and Human-Computer Interaction, 2009

Continuous Realtime Gesture Following and Recognition.

[BibT_eX]

[DOI]

Proceedings of the Gesture in Embodied Communication and Human-Computer Interaction, 2009

2008

What Next? Continuation in Real-Time Corpus-Based concatenative synthesis.

[BibT_eX]

[DOI]

Sylvain Cadars

Proceedings of the 2008 International Computer Music Conference, 2008

2007

Wireless Sensor Interface and Gesture-Follower for Music Pedagogy.

[BibT_eX]

[DOI]

Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

Evaluation of Real-Time Audio-to-Score Alignment.

[BibT_eX]

[DOI]

Proceedings of the 8th International Conference on Music Information Retrieval, 2007

2005

MnM: a Max/MSP mapping toolbox.

[BibT_eX]

[DOI]

Rémy Müller

Proceedings of the New Interfaces for Musical Expression, 2005

From Boulez to ballads: Training IRCAM's Score follower.

[BibT_eX]

[DOI]

Arshia Cont

Proceedings of the 2005 International Computer Music Conference, 2005

Ftm - Complex Data Structures for Max.

[BibT_eX]

[DOI]

Proceedings of the 2005 International Computer Music Conference, 2005

Training Ircam's score follower [audio to musical score alignment system].

[BibT_eX]

[DOI]

Arshia Cont

Proceedings of the 2005 IEEE International Conference on Acoustics, 2005

2004

Robust Polyphonic Midi Score Following with Hidden Markov Models.

[BibT_eX]

[DOI]

Nicola Orio

Proceedings of the 2004 International Computer Music Conference, 2004

Training IRCAM's Score Follower.

[BibT_eX]

[DOI]

Arshia Cont

Proceedings of the Style and Meaning in Language, 2004

2003

Score Following: State of the Art and New Developments.

[BibT_eX]

[DOI]

Proceedings of the New Interfaces for Musical Expression, 2003

2002

Introducing Composed Instruments: Technical and Musicological Implications.

[BibT_eX]

[DOI]

Marc Battier

Proceedings of the New Interfaces for Musical Expression, 2002

2001

Input Devices for Musical Expression: Borrowing Tools from HCI.

[BibT_eX]

[DOI]

Nicola Orio

Marcelo M. Wanderley

Proceedings of the New Interfaces for Musical Expression, 2001

2000

Synthesizing a choir in real-time using Pitch Synchronous Overlap Add (PSOLA).

[BibT_eX]

[DOI]

Proceedings of the 2000 International Computer Music Conference, 2000

The jMax environment: an overview of new features.

[BibT_eX]

[DOI]

Proceedings of the 2000 International Computer Music Conference, 2000

Coney Island: Combining jMax, Spat and VSS for Acoustic Integration of Spatial and Temporal Models in a Virtual Reality Installation.

[BibT_eX]

[DOI]

Proceedings of the 2000 International Computer Music Conference, 2000

1999

jMax: An Environment for Real-Time Musical Applications.

[BibT_eX]

[DOI]

Comput. Music. J., 1999

Modalys in jMax: Real-time Modal-synthesis.

[BibT_eX]

[DOI]

Francisco Iovino

Olivier Lartillot

Proceedings of the 1999 International Computer Music Conference, 1999

jMax Recent Developments.

[BibT_eX]

[DOI]

Proceedings of the 1999 International Computer Music Conference, 1999

1998

ESCHER-modeling and performing composed instruments in real-time.

[BibT_eX]

[DOI]

Marcelo M. Wanderley