Nick Collins

Orcid: 0000-0001-6578-2005

According to our database1, Nick Collins authored at least 52 papers between 2002 and 2024.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

On csauthors.net:

Bibliography

2024
The Rarity of Musical Audio Signals Within the Space of Possible Audio Generation.
CoRR, 2024

Avoiding an AI-imposed Taylor's Version of all music history.
CoRR, 2024

2022
OK Computer Analysis: An Audio Corpus Study of Radiohead.
CoRR, 2022

2021
Virtual Reality and Audiovisual Experience in the AudioVirtualizer.
EAI Endorsed Trans. Creative Technol., 2021

Filling typed holes with live GUIs.
Proceedings of the PLDI '21: 42nd ACM SIGPLAN International Conference on Programming Language Design and Implementation, 2021

2020
Program sketching with live bidirectional evaluation.
Proc. ACM Program. Lang., 2020

A survey on the uptake of Music AI Software.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2019
Program Synthesis with Live Bidirectional Evaluation.
CoRR, 2019

EmoteControl: A System for Live-Manipulation of Emotional Cues in Music.
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

2018
A New Curated Corpus of Historical Electronic Music: Collation, Data and Research Findings.
Trans. Int. Soc. Music. Inf. Retr., 2018

Origins of Algorithmic Thinking in Music.
Proceedings of the Oxford Handbook of Algorithmic Music., 2018

2016
A Funny Thing Happened on the Way to the Formula: Algorithmic Composition for Musical Theater.
Comput. Music. J., 2016

Towards Machine Musicians Who Have Listened to More Music Than Us: Audio Database-Led Algorithmic Criticism for Automatic Composition and Live Concert Systems.
Comput. Entertain., 2016

The "Beyond the Fence" Musical and "Computer Says Show" Documentary.
Proceedings of the Seventh International Conference on Computational Creativity, 2016

2014
The Politics of Laptop Ensembles: A Survey of 160 Laptop Ensembles and their Organisational Structures.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

In A State: Live Emotion Detection and Visualisation for Music Performance.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Algorave: A Survey of the History, Aesthetics and Technology of Live Performance of Algorithmic Electronic Dance Music.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

The Kiki-Bouba Challenge: Algorithmic Composition for Content-based MIR Research and Development.
Proceedings of the 15th International Society for Music Information Retrieval Conference, 2014

2013
An Interactive 3D Network Music Space.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

How does it play better?: exploring user testing and biometric storyboards in games user research.
Proceedings of the 2013 ACM SIGCHI Conference on Human Factors in Computing Systems, 2013

Electronic Music.
Cambridge Introductions to Music, Cambridge University Press, ISBN: 978-1-107-64817-3, 2013

2012
Automatic Composition of Electroacoustic Art Music Utilizing Machine Listening.
Comput. Music. J., 2012

UT Austin Villa: RoboCup 2012 3D Simulation League Champion.
Proceedings of the RoboCup 2012: Robot Soccer World Cup XVI [papers from the 16th Annual RoboCup International Symposium, 2012

Influence in Early Electronic Dance Music: An Audio Content Analysis Investigation.
Proceedings of the 13th International Society for Music Information Retrieval Conference, 2012

Biometric storyboards: visualising game user research data.
Proceedings of the CHI Conference on Human Factors in Computing Systems, 2012

Musical robots and listening machines.
Proceedings of the Cambridge Companion to Electronic Music., 2012

Live audiovisuals.
Proceedings of the Cambridge Companion to Electronic Music., 2012

2011
Sound Cross-synthesis and Morphing Using Dictionary-based Methods.
Proceedings of the 2011 International Computer Music Conference, 2011

SCMIR: A SuperCollider Music Information Retrieval Library.
Proceedings of the 2011 International Computer Music Conference, 2011

2010
Musical Exoskeletons: Experiments with a Motion Capture Suit.
Proceedings of the 10th International Conference on New Interfaces for Musical Expression, 2010

Contrary Motion: An Oppositional Interactive Music System.
Proceedings of the 10th International Conference on New Interfaces for Musical Expression, 2010

Computational Analysis of Musical Influence: A Musicological Case Study Using MIR Tools.
Proceedings of the 11th International Society for Music Information Retrieval Conference, 2010

Visualisation of live code.
Proceedings of the Electronic Visualisation and the Arts, 2010

Introduction to Computer Music.
Wiley, ISBN: 978-0-470-71455-3, 2010

2009
Phalanger: Controlling Music Software With Hand Movement Using A Computer Vision and Machine Learning Approach.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

2008
Karlheinz Stockhausen: Cosmic Pulses.
Comput. Music. J., 2008

HCI Methodology For Evaluating Musical Controllers: A Case Study.
Proceedings of the 8th International Conference on New Interfaces for Musical Expression, 2008

Evaluating the Wiimote as a Musical controller.
Proceedings of the 2008 International Computer Music Conference, 2008

Infno: Generating Synth Pop and Electronic Dance Music on demand.
Proceedings of the 2008 International Computer Music Conference, 2008

Reinforcement Learning for Live Musical Agents.
Proceedings of the 2008 International Computer Music Conference, 2008

Errant sound synthesis.
Proceedings of the 2008 International Computer Music Conference, 2008

2007
Matching Parts: Inner Voice Led Control for Symbolic and Audio Accompaniment.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

Audiovisual concatenative synthesis.
Proceedings of the 2007 International Computer Music Conference, 2007

2006
klipp av: Live Algorithmic Splicing and Audiovisual Event Capture.
Comput. Music. J., 2006

2005
The Programming Language as a Musical Instrument.
Proceedings of the 17th Annual Workshop of the Psychology of Programming Interest Group, 2005

Using a Pitch Detector for Onset Detection.
Proceedings of the ISMIR 2005, 2005

Drumtrack: beat Induction from an acoustic Drum Kit with synchronised Scheduling.
Proceedings of the 2005 International Computer Music Conference, 2005

An Automated Event Analysis System with Compositional Applications.
Proceedings of the 2005 International Computer Music Conference, 2005

2004
Radiohead: Kid ARadiohead: AmnesiacRadiohead: Hail to the Thief.
Comput. Music. J., 2004

2003
A Protocol for Audiovisual Cutting.
Proceedings of the 2003 International Computer Music Conference, 2003

A Microtonal Tempo Canon Generator After Nancarrow and Jaffe.
Proceedings of the 2003 International Computer Music Conference, 2003

2002
The BBCut Library.
Proceedings of the 2002 International Computer Music Conference, 2002


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