Mikael Laurson

According to our database1, Mikael Laurson authored at least 44 papers between 1989 and 2010.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

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In proceedings 
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PhD thesis 
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Links

On csauthors.net:

Bibliography

2010
PWGL, Towards an Open and Intelligent Learning Environment for Higher Music Education.
Proceedings of the Sustaining TEL: From Innovation to Learning and Practice, 2010

2009
An Overview of PWGL, a Visual Programming Environment for Music.
Comput. Music. J., 2009

MIR in ENP - Rule-based Music Information Retrieval from Symbolic Music Notation.
Proceedings of the 10th International Society for Music Information Retrieval Conference, 2009

Instruction and Thread Level Parallelism in PWGLSynth 2.
Proceedings of the 2009 International Computer Music Conference, 2009

2008
A Parametric Piano Synthesizer.
Comput. Music. J., 2008

Towards Idiomatic and Flexible Score-based Gestural Control with a Scripting Language.
Proceedings of the 8th International Conference on New Interfaces for Musical Expression, 2008

A Unified Model for Audioand control signals in Pwglsynth.
Proceedings of the 2008 International Computer Music Conference, 2008

Survey of Music Analysis and Visualization Tools in PWGL.
Proceedings of the 2008 International Computer Music Conference, 2008

Visual Programming in PWGL.
Proceedings of the 1st European Lisp Symposium (ELS'08), 2008

KSQuant - Complex Score Manipulation in PWGL through Quantization.
Proceedings of the Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music, 2008

Strategies and Methods for Creating Symbolic Electroacoustic Scores in ENP.
Proceedings of the Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music, 2008

2007
Vivo - Visualizing Harmonic Progressions and Voice-Leading in PWGL.
Proceedings of the 8th International Conference on Music Information Retrieval, 2007

Development Tools for Pwglsynth.
Proceedings of the 2007 International Computer Music Conference, 2007

Score-Based control of Guqin synthesis.
Proceedings of the 2007 International Computer Music Conference, 2007

Macset: a Free Visual Cross-Platform pitch-class Set Theoretical Application.
Proceedings of the 2007 International Computer Music Conference, 2007

2006
Expressive Notation Package.
Comput. Music. J., 2006

From Score-Based Approach Towards Real-Time Control in PWGLSynth.
Proceedings of the 2006 International Computer Music Conference, 2006

Recent Trends in PWGL.
Proceedings of the 2006 International Computer Music Conference, 2006

A Brief Survey of the Current Applications of ENP.
Proceedings of the 2006 International Computer Music Conference, 2006

2005
PWGLSynth: A Visual Synthesis Language for Virtual Instrument Design and Control.
Comput. Music. J., 2005

Annotating Musical Scores in ENP.
Proceedings of the ISMIR 2005, 2005

Enp expression Designer: a Visual Tool for Creating ENP-Expressions.
Proceedings of the 2005 International Computer Music Conference, 2005

Micro Textures with Macro-Notes.
Proceedings of the 2005 International Computer Music Conference, 2005

Large-Scale Duration Organization in 'Hodoi tô Ergô'.
Proceedings of the 2005 International Computer Music Conference, 2005

2004
Sound Synthesis of the Harpsichord Using a Computationally Efficient Physical Model.
EURASIP J. Adv. Signal Process., 2004

Expressive Notation Package - an Overview.
Proceedings of the ISMIR 2004, 2004

Copy-synth-patch: A Tool for Visual Instrument Design.
Proceedings of the 2004 International Computer Music Conference, 2004

Intelligent Scripting in ENP using PWConstraints.
Proceedings of the 2004 International Computer Music Conference, 2004

2003
Some Box Design Issues in PWGL.
Proceedings of the 2003 International Computer Music Conference, 2003

ENP-Expressions, Score-BPF as a Case Study.
Proceedings of the 2003 International Computer Music Conference, 2003

2002
PWGL: A Novel Visual Language based on Common Lisp, CLOS and OpenGL.
Proceedings of the 2002 International Computer Music Conference, 2002

2001
Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis.
Comput. Music. J., 2001

PWSynth: A Lisp-based Bridge between Computer Assisted Composition and Model Based Synthesis.
Proceedings of the 2001 International Computer Music Conference, 2001

ENP: Musical Notation Library based on Common Lisp and CLOS.
Proceedings of the 2001 International Computer Music Conference, 2001

Model-based Synthesis of the Ud and the Renaissance Lute.
Proceedings of the 2001 International Computer Music Conference, 2001

2000
Model-Based Synthesis of the Clavichord.
Proceedings of the 2000 International Computer Music Conference, 2000

An Expressive Synthesis Model for Bowed String Instruments.
Proceedings of the 2000 International Computer Music Conference, 2000

Real-Time Implementation and Control of a Classical Guitar Synthesizer in SuperCollider.
Proceedings of the 2000 International Computer Music Conference, 2000

1999
Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic.
Comput. Music. J., 1999

From Expressive Notation to Model-Based Sound Synthesis: a Case Study of the Acoustic Guitar.
Proceedings of the 1999 International Computer Music Conference, 1999

PWCollider - A Visual Composition Tool for Software Synthesis.
Proceedings of the 1999 International Computer Music Conference, 1999

1991
A New Chant Synthesizer in C and Its Control Environment in PATCHWORK.
Proceedings of the 1991 International Computer Music Conference, 1991

1990
A Compositional Environment Based on PreFORM II, Patchwork, and Esquisse.
Proceedings of the 1990 International Computer Music Conference, 1990

1989
Patchwork: a Graphic Language in preFORM.
Proceedings of the 1989 International Computer Music Conference, 1989


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