Mark Grimshaw-Aagaard

According to our database, Mark Grimshaw-Aagaard authored at least 23 papers between 2007 and 2024.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of five.

2024

Less-is-more: auditory strategies for reduced reality.

Mark Grimshaw-Aagaard, Mads Walther-Hansen

Pers. Ubiquitous Comput., October, 2024

Ultrasonics and urban greening: an exploratory study on ultrasound presence in urban spaces.

Mark Grimshaw-Aagaard, Brian Bemman

Pers. Ubiquitous Comput., October, 2024

2022

An Exploratory Study on Ultrasound Presence in Urban Spaces.

Mark Grimshaw-Aagaard, Brian Bemman

Proceedings of the AM '22: AudioMostly 2022, St. Pölten, 2022

2020

Don't extend! reduce!: the sound approach to reality.

Mads Walther-Hansen, Mark Grimshaw-Aagaard

Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020

2019

Sound and the Feeling of Presence.

Mark Grimshaw-Aagaard

Proceedings of the Electronic Visualisation and the Arts, 2019

2016

User Resistance to Information System Implementations: A Dual-Mode Processing Perspective.

Robert Hugh Campbell, Mark Grimshaw

Inf. Syst. Manag., 2016

Being in a Virtual World: Presence, Environment, Salience, Sound.

Mads Walther-Hansen, Mark Grimshaw

Proceedings of the Audio Mostly 2016, Norrköping, Sweden, October 4-6, 2016, 2016

2015

Enochs of the modern workplace: The behaviours by which end users intentionally resist information system implementations.

Robert Hugh Campbell, Mark Grimshaw

J. Syst. Inf. Technol., 2015

The Sound of the Smell of my Shoes.

Mark Grimshaw, Mads Walther-Hansen

Proceedings of the Audio Mostly 2015 on Interaction With Sound, 2015

2014

Sounding off on sound.

Mark Grimshaw

Comput. Games J., 2014

Imagining sound.

Mark Grimshaw, Tom Garner

Proceedings of the Audio Mostly 2014, AM '14, 2014

2013

Sonosemantics.

Mark Grimshaw, Tom Garner

Proceedings of the Audio Mostly 2013, 2013

2012

The use of sound to represent data and concepts as a means to engender creative thought: some thoughts on implementation and a research agenda.

Mark Grimshaw, Tom Garner

Proceedings of the Audio Mostly 2012, 2012

2011

The Uncanny Wall.

Angela Tinwell, Mark Grimshaw, Andrew Williams

Int. J. Arts Technol., 2011

Facial expression of emotion and perception of the Uncanny Valley in virtual characters.

Angela Tinwell, Mark Grimshaw, Debbie Abdel Nabi, Andrew Williams

Comput. Hum. Behav., 2011

A climate of fear: considerations for designing a virtual acoustic ecology of fear.

Tom Garner, Mark Grimshaw

Proceedings of the AM '11, 2011

Effect of Emotion and Articulation of Speech on the Uncanny Valley in Virtual Characters.

Angela Tinwell, Mark Grimshaw, Debbie Abdel Nabi

Proceedings of the Affective Computing and Intelligent Interaction, 2011

2010

More than a feeling: Measurement of sonic user experience and psychophysiology in a first-person shooter game.

Lennart E. Nacke, Mark N. Grimshaw, Craig A. Lindley

Interact. Comput., 2010

A preliminary experiment to assess the fear value of preselected sound parameters in a survival horror game.

Tom Garner, Mark Grimshaw, Debbie Abdel Nabi

Proceedings of the AM '10, 2010

2009

Bridging the uncanny: an impossible traverse?

Angela Tinwell, Mark Grimshaw

Proceedings of the 13th International Academic MindTrek Conference: Everyday Life in the Ubiquitous Era, 2009

2008

Sound And Immersion In The First-Person Shooter.

Mark Grimshaw

Int. J. Intell. Games Simul., 2008

A Conceptual Framework for the Analysis of First-Person Shooter Audio and its Potential Use for Game Engines.

Mark Grimshaw, Gareth Schott

Int. J. Comput. Games Technol., 2008

2007

Situating Gaming as a Sonic Experience: The acoustic ecology of First-Person Shooters.

Mark Grimshaw, Gareth Schott

Proceedings of the 2007 DiGRA International Conference: Situated Play, 2007