Marije A. J. Baalman

According to our database, Marije A. J. Baalman authored at least 12 papers between 2003 and 2017.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of five.

2017

Wireless sensing for artistic applications, a reflection on sense/stage to motivate the design of the next stage.

Marije A. J. Baalman

Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

2014

Modality.

Marije A. J. Baalman, Till Bovermann, Alberto de Campo, Miguel Negrão

Proceedings of the Music Technology meets Philosophy, 2014

2010

Sense/Stage - Low Cost, Open Source Wireless Sensor Infrastructure For Live Performance And Interactive, Real-Time Environments.

Marije A. J. Baalman, Vincent De Belleval, Joseph W. Malloch, Joseph Thibodeau

Proceedings of the 2010 International Computer Music Conference, 2010

2009

Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork.

Marije A. J. Baalman, Harry Smoak, Christopher L. Salter, Joseph W. Malloch, Marcelo M. Wanderley

Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Code LiveCode Live, or livecode Embodied.

Marije A. J. Baalman

Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

2007

Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance.

Marije A. J. Baalman, Daniel Moody-Grigsby, Christopher L. Salter

Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

Between Mapping, Sonification and Composition: Responsive audio Environments in Live Performance.

Christopher L. Salter, Marije A. J. Baalman, Daniel Moody-Grigsby

Proceedings of the 2007 International Computer Music Conference, 2007

On wave Field synthesis and electro-acoustic Music - State of the Art 2007.

Marije A. J. Baalman

Proceedings of the 2007 International Computer Music Conference, 2007

2005

Elevation Problems in the Auralisation of sound Sources with Arbitrary Shape with wave Field synthesis.

Marije A. J. Baalman

Proceedings of the 2005 International Computer Music Conference, 2005

2004

WONDER - a software interface for the application of Wave Field Synthesis in electronic music and interactive sound installations.

Marije A. J. Baalman, Daniel Plewe

Proceedings of the 2004 International Computer Music Conference, 2004

2003

The STRIMIDILATOR, a String Controlled MIDI-Instrument.

Marije A. J. Baalman

Proceedings of the New Interfaces for Musical Expression, 2003

Application of Wave Field Synthesis in the composition of electronic music.

Marije A. J. Baalman

Proceedings of the 2003 International Computer Music Conference, 2003