Maria Kallionpää

According to our database, Maria Kallionpää authored at least 16 papers between 2015 and 2024.

Collaborative distances:

• Dijkstra number of four.
• Erdős number of four.

2024

What you hear is what you see? Perspectives on modalities in sound and music interaction.

Michael Iber, Kajetan Enge, Niklas Rönnberg, Annika Neidhardt, Norbert Schnell, Katharina Pollack, Maria Kallionpää, Alan Chamberlain

Pers. Ubiquitous Comput., October, 2024

2023

Personal and ubiquitous computing, special issue: "Sonic experiences: interaction, connectivity, and multi-sensory technologies".

Luca Turchet, Alan Chamberlain, Maria Kallionpää

Pers. Ubiquitous Comput., October, 2023

2021

Correction to: from AI, creativity and music to IoT, HCI, musical instrument design and audio interaction: a journey in sound.

Alan Chamberlain, Adrian Hazzard, Elizabeth Kelly, Mads Bødker, Maria Kallionpää

Pers. Ubiquitous Comput., 2021

From AI, creativity and music to IoT, HCI, musical instrument design and audio interaction: a journey in sound.

Alan Chamberlain, Adrian Hazzard, Elizabeth Kelly, Mads Bødker, Maria Kallionpää

Pers. Ubiquitous Comput., 2021

Contesting control: journeys through surrender, self-awareness and looseness of control in embodied interaction.

Steve Benford, Richard Ramchurn, Joe Marshall, Max L. Wilson, Matthew Pike, Sarah Martindale, Adrian Hazzard, Chris Greenhalgh, Maria Kallionpää, Paul Tennent, Brendan Walker

Hum. Comput. Interact., 2021

2020

Back to the Future and Forward to the Past: Zukunftsmusik and the aesthetics of immersive classical music experience.

Maria Kallionpää, Hans-Peter Gasselseder

Proceedings of the Electronic Visualisation and the Arts, 2020

Following the journey of scores through a complex musical work.

Adrian Hazzard, Chris Greenhalgh, Maria Kallionpää

Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020

2019

Beyond the Audience Seat: The recording and production of immersive opera and interactive concerto programmes for VR experiences.

Hans-Peter Gasselseder, Maria Kallionpää

Proceedings of the Electronic Visualisation and the Arts, 2019

Failing with Style: Designing for Aesthetic Failure in Interactive Performance.

Adrian Hazzard, Chris Greenhalgh, Maria Kallionpää, Steve Benford, Anne Veinberg, Zubin Kanga, Andrew P. McPherson

Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems, 2019

2018

Designing the Audience Journey through Repeated Experiences.

Steve Benford, Chris Greenhalgh, Adrian Hazzard, Alan Chamberlain, Maria Kallionpää, David M. Weigl, Kevin R. Page, Mengdie Lin

Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, 2018

Under Construction: Contemporary Opera in the Crossroads Between New Aesthetics, Techniques, and Technologies.

Maria Kallionpää, Alan Chamberlain, Hans-Peter Gasselseder

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 2018

The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces.

Alan Chamberlain, Mads Bødker, Maria Kallionpää, Richard Ramchurn, David De Roure, Steve Benford, Alan J. Dix

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 2018

2017

Composing and realising a game-like performance for disklavier and electronics.

Maria Kallionpää, Chris Greenhalgh, Adrian Hazzard, David M. Weigl, Kevin R. Page, Steve Benford

Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

2016

The Imaginary Friend, Crossing over Computer Game Scoring Techniques and Musical Expression.

Maria Kallionpää, Hans-Peter Gasselseder

Proceedings of the Electronic Visualisation and the Arts, 2016

Performing the Super Instrument: Reaching Beyond Technical and Expressive Capabilities.

Maria Kallionpää

Proceedings of the Electronic Visualisation and the Arts, 2016

2015

Creating a Super Instrument: Composers and Pianists Reaching Beyond Their Technical and Expressive Capabilities.

Maria Kallionpää, Hans-Peter Gasselseder

Proceedings of the Audio Mostly 2015 on Interaction With Sound, 2015