Maarten W. A. Wijntjes

According to our database, Maarten W. A. Wijntjes authored at least 19 papers between 2008 and 2024.

Collaborative distances:

• Dijkstra number of four.
• Erdős number of four.

2024

Pictorial Research: Objective versus Subjective Annotations on Avercamp and Rembrandt.

Maarten W. A. Wijntjes, Mitchell van Zuijlen

J. Percept. Imaging, 2024

2022

Quantifying spatial, temporal, angular and spectral structure of effective daylight in perceptually meaningful ways.

Cehao Yu, Maarten W. A. Wijntjes, Elmar Eisemann, Sylvia C. Pont

CoRR, 2022

Understanding and Designing Avatar Biosignal Visualizations for Social Virtual Reality Entertainment.

Sueyoon Lee, Abdallah El Ali, Maarten W. A. Wijntjes, Pablo César

Proceedings of the CHI '22: CHI Conference on Human Factors in Computing Systems, New Orleans, LA, USA, 29 April 2022, 2022

2021

What Can Style Transfer and Paintings Do for Model Robustness?

Hubert Lin, Mitchell van Zuijlen, Sylvia C. Pont, Maarten W. A. Wijntjes, Kavita Bala

Proceedings of the IEEE Conference on Computer Vision and Pattern Recognition, 2021

2020

Materials In Paintings (MIP): An interdisciplinary dataset for perception, art history, and computer vision.

Mitchell J. P. van Zuijlen, Hubert Lin, Kavita Bala, Sylvia C. Pont, Maarten W. A. Wijntjes

CoRR, 2020

Sketch and test: visual crowd research using p5.js.

Maarten W. A. Wijntjes, Mitchell van Zuijlen

CoRR, 2020

Insights from a Large-Scale Database of Material Depictions in Paintings.

Hubert Lin, Mitchell van Zuijlen, Maarten W. A. Wijntjes, Sylvia C. Pont, Kavita Bala

Proceedings of the Pattern Recognition. ICPR International Workshops and Challenges, 2020

Conventions and temporal differences in painted faces: A study of posture and color distribution.

Mitchell J. P. van Zuijlen, Sylvia C. Pont, Maarten W. A. Wijntjes

Proceedings of the Human Vision and Electronic Imaging 2020, 2020

2018

Annotating shadows, highlights and faces: the contribution of a 'human in the loop' for digital art history.

Maarten W. A. Wijntjes

CoRR, 2018

Beurs' historical recipe and material perception of grapes in Dutch Golden Age still-lifes.

Francesca Di Cicco, Maarten W. A. Wijntjes, Sylvia C. Pont

Proceedings of the Human Vision and Electronic Imaging 2018, Burlingame, CA, USA, 28 January 2018, 2018

A Digital Tool to Understand the Pictorial Procedures of 17th Century Realism.

Francesca Di Cicco, Lisa Wiersma, Maarten W. A. Wijntjes, Joris Dik, Jeroen Stumpel, Sylvia C. Pont

Proceedings of the Computer Vision - ECCV 2018 Workshops, 2018

2015

Texture, illumination, and material perception.

Sylvia C. Pont, Andrea J. van Doorn, Maarten W. A. Wijntjes, Jan J. Koenderink

Proceedings of the Human Vision and Electronic Imaging XX, 2015

2014

Shading and shadowing on Canaletto's Piazza San Marco.

Maarten W. A. Wijntjes, Huib de Ridder

Proceedings of the Human Vision and Electronic Imaging XIX, 2014

2013

Copy-paste in depth.

Maarten W. A. Wijntjes

Proceedings of the Human Vision and Electronic Imaging XVIII, 2013

2012

Mixing material modes.

Sylvia C. Pont, Jan J. Koenderink, Andrea J. van Doorn, Maarten W. A. Wijntjes, Susan F. te Pas

Proceedings of the Human Vision and Electronic Imaging XVII, 2012

2010

Pointing in pictorial space: Quantifying the perceived relative depth structure in mono and stereo images of natural scenes.

Maarten W. A. Wijntjes, Sylvia C. Pont

ACM Trans. Appl. Percept., 2010

2009

Local Surface Orientation Dominates Haptic Curvature Discrimination.

Maarten W. A. Wijntjes, Akihiro Sato, Vincent Hayward, Astrid M. L. Kappers

IEEE Trans. Haptics, 2009

Haptics disambiguates vision in the perception of pictorial relief.

Maarten W. A. Wijntjes, Robert Volcic, Sylvia C. Pont, Jan J. Koenderink, Astrid M. L. Kappers

Proceedings of the Human Vision and Electronic Imaging XIV, 2009

2008

Haptic Perception of Real and Virtual Curvature.

Maarten W. A. Wijntjes, Akihiro Sato, Astrid M. L. Kappers, Vincent Hayward

Proceedings of the Haptics: Perception, 2008