Kia Ng

Affiliations:
  • ICSRiM, University of Leeds, UK


According to our database1, Kia Ng authored at least 84 papers between 1992 and 2015.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

Online presence:

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Bibliography

2015
Cross-covariance-based features for speech classification in film audio.
J. Vis. Lang. Comput., 2015

Improving Optical Music Recognition by Combining Outputs from Multiple Sources.
Proceedings of the 16th International Society for Music Information Retrieval Conference, 2015

Infinite Remix Machine: Automatic Analysis and Arrangement of Musical Recordings.
Proceedings of the Electronic Visualisation and the Arts, 2015

LIVeMotion: A Multi-Sensory System to Encourage the Awareness of Mindfulness.
Proceedings of the Electronic Visualisation and the Arts, 2015

Tempo and Autonomic Control of the Heart.
Proceedings of the Electronic Visualisation and the Arts, 2015

Configuring a Haptic Interface for Music Performance.
Proceedings of the Electronic Visualisation and the Arts, 2015

'Unheard' Sounds'.
Proceedings of the Electronic Visualisation and the Arts, 2015

Feeling Sound: Exploring a Haptic-Audio Relationship.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

2014
Improving OMR for Digital Music Libraries with Multiple Recognisers and Multiple Sources.
Proceedings of the 1st International Workshop on Digital Libraries for Musicology, 2014

Tactile Composition: Configurations and communications for a musical haptic chair.
Proceedings of the Music Technology meets Philosophy, 2014

Big Data Optical Music Recognition with Multi Images and Multi Recognisers.
Proceedings of the Electronic Visualisation and the Arts, 2014

The Colour of Music: Real-time Music Visualisation with Synaesthetic Sound-colour Mapping.
Proceedings of the Electronic Visualisation and the Arts, 2014

A Tactile Audio Visual Instrument using Sound Source Localisation.
Proceedings of the Electronic Visualisation and the Arts, 2014

2013
Paralinguistic Microphone.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

From Seeing to Feeling Sound: A Multimodal Interface for Trans-Domain Mapping of Sound.
Proceedings of the Electronic Visualisation and the Arts, 2013

Multimodal Music Composition.
Proceedings of the Electronic Visualisation and the Arts, 2013

Feature Matching of Simultaneous Signals for Multimodal Synchronization.
Proceedings of the Information Technologies for Performing Arts, Media Access, and Entertainment, 2013

Augmented Opera Performance.
Proceedings of the Information Technologies for Performing Arts, Media Access, and Entertainment, 2013

Multimodal Feature Matching for Event Synchronization.
Proceedings of the 19th International Conference on Distributed Multimedia Systems, 2013

Automated Ground-Plane Estimation for Trajectory Rectification.
Proceedings of the Computer Analysis of Images and Patterns, 2013

<i>Mobile Motion</i>: Multimodal Device Augmentation for Musical Applications.
Proceedings of the Electronic Visualisation in Arts and Culture, 2013

<i>mConduct</i>: A Multi-sensor Interface for the Capture and Analysis of Conducting Gesture.
Proceedings of the Electronic Visualisation in Arts and Culture, 2013

2012
Guest Editors' Introduction.
Int. J. Softw. Eng. Knowl. Eng., 2012

Mconduct: transcending Domains and Distributed Performance.
Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012

Visualising sound: Localisation, feature analysis and visualisation.
Proceedings of the Electronic Visualisation and the Arts, 2012

mConduct: a multi-sensor interface for the capture and analysis of conducting gesture.
Proceedings of the Electronic Visualisation and the Arts, 2012

2011
Interactive Multimedia Performance Technology Augmented Stage.
Proceedings of the Workshop Proceedings of the 7th International Conference on Intelligent Environments, 2011

Mobile Device Augmentation for Interactive Environments.
Proceedings of the Workshop Proceedings of the 7th International Conference on Intelligent Environments, 2011

Developing a user-relative motion detection interface for mobile devices.
Proceedings of the 2011 International Computer Music Conference, 2011

Mobile notion: multimodal device augmentation for musical applications.
Proceedings of the Electronic Visualisation and the Arts, 2011

Music via Motion: A distributed framework for interactive multimedia performance .
Proceedings of the 17th International Conference on Distributed Multimedia Systems, 2011

Painting into Music: An interactive multimedia edutainment tool for painting .
Proceedings of the 17th International Conference on Distributed Multimedia Systems, 2011

Virtual Drum Accompanist: Interactive Multimedia System to Model Expression of Human Drummers.
Proceedings of the 17th International Conference on Distributed Multimedia Systems, 2011

Multimedia Mobile Motion: Augmented Handheld Mobile Device for Motion Control.
Proceedings of the 17th International Conference on Distributed Multimedia Systems, 2011

2010
Digital Preservation of Interactive Multimedia Performances.
ERCIM News, 2010

Eye.Breathe.Music: A Multimeadia Controller That Uses Eye Movement And Breathing.
Proceedings of the 2010 International Computer Music Conference, 2010

Interactive multimedia rocks for geology.
Proceedings of the Electronic Visualisation and the Arts, 2010

MiMic: a motion control interface for music.
Proceedings of the Electronic Visualisation and the Arts, 2010

Eye.Breathe.Music: creating music through minimal movement.
Proceedings of the Electronic Visualisation and the Arts, 2010

iRock Interactive Multimedia System.
Proceedings of the 16th International Conference on Distributed Multimedia Systems, 2010

2009
Interactive Multimedia Interface and Multimodal Analysis for Technology-Enhanced Learning and Performance Preservation.
Proceedings of the International Conference on Networked Computing and Advanced Information Management, 2009

An Augmented Snare Drum.
Proceedings of the 2009 International Computer Music Conference, 2009

Motion Capture, Analysis and Feedback to Support Learning Conducting.
Proceedings of the 2009 International Computer Music Conference, 2009

An Ontology Based Framework for the Preservation of Interactive Multimedia Performances.
Proceedings of the Fifth International Conference on e-Science, 2009

2008
Preservation of interactive multimedia performances.
Int. J. Metadata Semant. Ontologies, 2008

Interactive feedbacks with visualisation and sonification for technology-enhanced learning for music performance.
Proceedings of the 26th Annual International Conference on Design of Communication, 2008

i-Maestro: Technology-Enhanced Learning and Teaching for Music.
Proceedings of the 8th International Conference on New Interfaces for Musical Expression, 2008

Polyphonic note tracking using Multimodal Retrieval of Musical Events.
Proceedings of the 2008 International Computer Music Conference, 2008

Design and Development of an Interactive Sonification Interface for hearing Images.
Proceedings of the 2008 International Computer Music Conference, 2008

I-Maestro: Technology-Enhanced Learning for Music.
Proceedings of the 2008 International Computer Music Conference, 2008

Ontology Management for Preservation of Interactive Multimedia performances.
Proceedings of the 2008 International Computer Music Conference, 2008

Technology-Enhanced Learning For Music Theory And Performance.
Proceedings of the IADIS International Conference e-Learning 2008, 2008

Hearing images: interactive sonification interface for images.
Proceedings of the Electronic Visualisation and the Arts, 2008

Technology-enhanced learning for music with i-Maestro framework and tools.
Proceedings of the Electronic Visualisation and the Arts, 2008

Analyzing a conductors gestures with the Wiimote.
Proceedings of the Electronic Visualisation and the Arts, 2008

Distributed Interactive Multimedia for Technology-enhanced Learning and Automated Content Production and Distribution.
Proceedings of the 14th International Conference on Distributed Multimedia Systems, 2008

A Comparative Study on Using Zernike Velocity Moments and Hidden Markov Models for Hand Gesture Recognition.
Proceedings of the Articulated Motion and Deformable Objects, 5th International Conference, 2008

2007
A system for segmenting and extracting paper-based watermark designs.
Int. J. Digit. Libr., 2007

Ontology for Preservation of Interactive Multimedia Performances.
Proceedings of the Metadata and Semantics, 2007

3d augmented mirror: a multimodal interface for string instrument learning and teaching with gesture support.
Proceedings of the 9th International Conference on Multimodal Interfaces, 2007

Digital Preservation of Interactive Multimedia performances.
Proceedings of the 2007 International Computer Music Conference, 2007

The 3D Augmented mirror: motion Analysis for String Practice Training.
Proceedings of the 2007 International Computer Music Conference, 2007

2006
Cooperative Multimedia Environments for Technology-Enhanced Music Playing and Learning with 3D Posture and Gesture Supports.
Proceedings of the 2006 International Computer Music Conference, 2006

AXMEDIS Programme and Publication Tools Integration with Workflow-Enabled Communication and Process Control.
Proceedings of the Second International Conference on Automated Production of Cross Media Content for Multi-Channel Distribution, 2006

Automated Paper-Based Watermark Extraction and Processing.
Proceedings of the Second International Conference on Automated Production of Cross Media Content for Multi-Channel Distribution, 2006

2004
Music via motion: transdomain mapping of motion and sound for interactive performances.
Proc. IEEE, 2004

University of Leeds Interdisciplinary Centre for Scientific Research in Music.
Proceedings of the 2004 International Computer Music Conference, 2004

2003
Studying the Fidelity Requirements for a Virtual Ballet Dancer.
Proceedings of the 1st International Conference on Vision, Video, and Graphics, 2003

2002
Interactive Gesture Music Performance Interface.
Proceedings of the New Interfaces for Musical Expression, 2002

A Distributed Real-time System for Interactive Music Mapping with Multiple Inputs.
Proceedings of the 2002 International Computer Music Conference, 2002

Notation and 3D Animation of Dance Movement.
Proceedings of the 2002 International Computer Music Conference, 2002

2001
Music Manuscript Tracing.
Proceedings of the Graphics Recognition Algorithms and Applications, 2001

2000
Playing on a holo-stage: towards the interaction between real and virtual performers.
Digit. Creativity, 2000

Interactive Composition: Sharing the Creative Process on the Internet.
Proceedings of the 2000 International Computer Music Conference, 2000

Trans-Domain Mapping: A Real-time Interactive System for Motion Acquisition and Musical Mapping.
Proceedings of the 2000 International Computer Music Conference, 2000

Hands-on dance project (poster session): creative dance collaborations online.
Proceedings of the Third International Conference on Collaborative Virtual Environments, 2000

1999
Hybrid Approach to the Construction of Triangulated 3D Models of Building Interiors.
Proceedings of the Computer Vision Systems, First International Conference, 1999

Embracing the Composer: Optical Recognition of Handwritten Manuscripts.
Proceedings of the 1999 International Computer Music Conference, 1999

1998
Studio Report of the University of Leeds Department of Music.
Proceedings of the 1998 International Computer Music Conference, 1998


3D Textured Models of Indoor Scenes from Composite Range and Video Images.
Proceedings of the Conference on Three-Dimensional Image Capture and Applications, 1998

1996
Leeds University Electronic Studio: Studio Report.
Proceedings of the 1996 International Computer Music Conference, 1996

Handwritten Music Manuscript Recognition.
Proceedings of the 1996 International Computer Music Conference, 1996

1992
Segmentation of Music Primitives.
Proceedings of the British Machine Vision Conference, 1992


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