Joanne L. Armitage

According to our database, Joanne L. Armitage authored at least 10 papers between 2012 and 2015.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of five.

2015

Configuring a Haptic Interface for Music Performance.

Joanne L. Armitage, Kia Ng

Proceedings of the Electronic Visualisation and the Arts, 2015

'Unheard' Sounds'.

Joanne L. Armitage, Kia Ng

Proceedings of the Electronic Visualisation and the Arts, 2015

Feeling Sound: Exploring a Haptic-Audio Relationship.

Joanne L. Armitage, Kia Ng

Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

2014

Tactile Composition: Configurations and communications for a musical haptic chair.

Joanne L. Armitage, Kia Ng

Proceedings of the Music Technology meets Philosophy, 2014

The Colour of Music: Real-time Music Visualisation with Synaesthetic Sound-colour Mapping.

Kia Ng, Joanne L. Armitage, Alex McLean

Proceedings of the Electronic Visualisation and the Arts, 2014

2013

Multimodal Music Composition.

Joanne L. Armitage, Kia Ng

Proceedings of the Electronic Visualisation and the Arts, 2013

Augmented Opera Performance.

Joanne L. Armitage, Kia Ng

Proceedings of the Information Technologies for Performing Arts, Media Access, and Entertainment, 2013

<i>mConduct</i>: A Multi-sensor Interface for the Capture and Analysis of Conducting Gesture.

Joanne L. Armitage, Kia Ng

Proceedings of the Electronic Visualisation in Arts and Culture, 2013

2012

Mconduct: transcending Domains and Distributed Performance.

Kia Ng, Joanne L. Armitage, Paul Halpin, Kyle Hudspeth, Phoebe Bakanas, Joel Balmer

Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012

mConduct: a multi-sensor interface for the capture and analysis of conducting gesture.

Joanne L. Armitage, Phoebe Bakanas, Joel Balmer, Paul Halpin, Kyle Hudspeth, Kia Ng

Proceedings of the Electronic Visualisation and the Arts, 2012