Jean Bresson

According to our database1, Jean Bresson authored at least 37 papers between 2004 and 2022.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

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PhD thesis 
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Bibliography

2022
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics.
Comput. Music. J., 2022

2021
A Polytemporal Model for Musical Scheduling.
Proceedings of the Music in the AI Era - 15th International Symposium, 2021

2018
Musical Gesture Recognition Using Machine Learning and Audio Descriptors.
Proceedings of the 2018 International Conference on Content-Based Multimedia Indexing, 2018

2017
Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusic.
Proceedings of the 2017 International Computer Music Conference, 2017

FARM 2017 demo summary.
Proceedings of the 5th ACM SIGPLAN International Workshop on Functional Art, 2017

Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicale.
, 2017

2016
A Supervised Approach for Rhythm Transcription Based on Tree Series Enumeration.
Proceedings of the 2016 International Computer Music Conference, 2016

o.OM: structured-functional communication between computer music systems using OSC and Odot.
Proceedings of the 4th International Workshop on Functional Art, 2016

Trajectoires: A Mobile Application for Controlling Sound Spatialization.
Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems, 2016

2015
A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting.
Proceedings of the Mathematics and Computation in Music - 5th International Conference, 2015

Trajectoires: a mobile application for controlling and composing sound spatialization.
Proceedings of the 27th Conference on l'Interaction Homme-Machine, 2015

Dynamic Message-Oriented Middleware with Open Sound Control and Odot.
Proceedings of the Looking Back, 2015

Towards a Borgean Musical Space: An Experimental Interface for Exploring Musical Models.
Proceedings of the Electronic Visualisation and the Arts, 2015

Towards interactive authoring tools for composing spatialization.
Proceedings of the 2015 IEEE Symposium on 3D User Interfaces, 2015

2014
Erratum to "A Reactive Extension of the OpenMusic Visual Programming Language" Journal of Visual Languages and Computing (2014) pp. 363-375.
J. Vis. Lang. Comput., 2014

A reactive extension of the OpenMusic visual programming language.
J. Vis. Lang. Comput., 2014

Éditorial.
Tech. Sci. Informatiques, 2014

Reactive visual programs for computer-aided music composition.
Proceedings of the IEEE Symposium on Visual Languages and Human-Centric Computing, 2014

pOM: Linking Pen Gestures to Computer-Aided Composition Processes.
Proceedings of the Music Technology meets Philosophy, 2014

Programmation and Control of Faust Sound Processing in OpenMusic.
Proceedings of the Music Technology meets Philosophy, 2014

2013
Reduction as a transition controller for sound synthesis events.
Proceedings of the first ACM SIGPLAN workshop on Functional art, music, modeling & design, 2013

2011
OMChroma: Compositional Control of Sound Synthesis.
Comput. Music. J., 2011

Visual programming and music score generation with OpenMusic.
Proceedings of the 2011 IEEE Symposium on Visual Languages and Human-Centric Computing, 2011

OpenMusic: visual programming environment for music composition, analysis and research.
Proceedings of the 19th International Conference on Multimedia 2011, Scottsdale, AZ, USA, November 28, 2011

The Control of the CHANT Synthesizer in OpenMusic: Modelling Continuous Aspects in Sound Synthesis.
Proceedings of the 2011 International Computer Music Conference, 2011

Representation and Interchange of Sound Spatialization Data for Compositional Applications.
Proceedings of the 2011 International Computer Music Conference, 2011

2010
Interacting with Symbol, Sound, and Feature Spaces in Orchidée, a Computer-Aided Orchestration Environment.
Comput. Music. J., 2010

Processing Sound And Music Description Data Using Openmusic.
Proceedings of the 2010 International Computer Music Conference, 2010

Ml-Maquette / Musique Lab 2.
Proceedings of the 2010 International Computer Music Conference, 2010

2009
Visual Lisp/CLOS programming in OpenMusic.
High. Order Symb. Comput., 2009

Corpus-Based Transcription as an Approach to the Compositional Control of Timbre.
Proceedings of the 2009 International Computer Music Conference, 2009

2008
Scores, Programs, and Time Representation: The Sheet Object in OpenMusic.
Comput. Music. J., 2008

OpenMusic: Design and Implementation Aspects of a Visual Programming Language.
Proceedings of the 1st European Lisp Symposium (ELS'08), 2008

2007
La synthèse sonore en composition musicale assistée par ordinateur : modélisation et écriture du son. (Sound synthesis in computer-aided composition).
PhD thesis, 2007

2005
Musique Lab 2: a three Level Approach for Music Education at School.
Proceedings of the 2005 International Computer Music Conference, 2005

Symbolic control of sound synthesis in Computer Assisted Composition.
Proceedings of the 2005 International Computer Music Conference, 2005

2004
SDIF sound description data representation and manipulation in computer assisted composition.
Proceedings of the 2004 International Computer Music Conference, 2004


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