Jean-Baptiste Barrière

According to our database, Jean-Baptiste Barrière authored at least 14 papers between 1981 and 1993.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of four.

1993

Panel Discussion: Algorithmic Music.

David Cope, Larry Austin, Jean-Baptiste Barrière, Martin Herman, D. Gareth Loy, Otto E. Laske, Atau Tanaka

Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

On the Realization of NoaNoa and Près, Two Pieces for Solo Instruments and Ircam Signal Processing Workstation.

Xavier Chabot, Kaija Saariaho, Jean-Baptiste Barrière

Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

Integration of Aid to Composition and Performance Environments: Experiences of Interactions between Patchwork and Max-ISPW.

Jean-Baptiste Barrière, Xavier Chabot

Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1991

A New Chant Synthesizer in C and Its Control Environment in PATCHWORK.

Jean-Baptiste Barrière, Francisco Iovino, Mikael Laurson

Proceedings of the 1991 International Computer Music Conference, 1991

1990

IRCAM: Studio Report.

Jean-François Allouis, Jean-Baptiste Barrière, Marc Battier

Proceedings of the 1990 International Computer Music Conference, 1990

1989

A Digital Signal Multiprocessor and its Musical Application.

Jean-Baptiste Barrière, Pierre-François Baisnée, Adrian Freed, Marie-Dominique Baudot

Proceedings of the 1989 International Computer Music Conference, 1989

1988

ESQUISSE: A Compositional Environment.

Pierre-François Baisnée, Jean-Baptiste Barrière, Marc-André Dalbavie, Jacques Duthen, Magnus Lindberg, Yves Potard, Kaija Saariaho

Proceedings of the 1988 International Computer Music Conference, 1988

1987

Musical Production at IRCAM in 1986-87.

Jean-Baptiste Barrière

Proceedings of the 1987 International Computer Music Conference, 1987

1986

Experimenting with Models of Resonance Produced by a New Technique for the Analysis of Impulsive Sounds.

Yves Potard, Pierre-François Baisnée, Jean-Baptiste Barrière

Proceedings of the 1986 International Computer Music Conference, 1986

Real-time Interaction between Musicians and Computer: Live Performance Utilisations of the 4X Musical Workstation.

Pierre-François Baisnée, Jean-Baptiste Barrière, Olivier Koechlin, Robert Rowe

Proceedings of the 1986 International Computer Music Conference, 1986

1985

"Les Chants de l'Amour", a Piece for Computer Generated Tape and Mixed Choir.

G. Grisey, Jean-Baptiste Barrière, Pierre-François Baisnée

Proceedings of the 1985 International Computer Music Conference, 1985

Models of Continuity between Synthesis and Processing for the Elaboration and Control of Timbre Structures.

Jean-Baptiste Barrière, Yves Potard, Pierre-François Baisnée

Proceedings of the 1985 International Computer Music Conference, 1985

1982

The CHANT Project: Modelization and Production, an Environment for Composers Including the FORMES Language for Describing and Controlling Sound and Musical Processes.

Xavier Rodet, Jean-Baptiste Barrière, Pierre Cointe, Yves Potard

Proceedings of the 1982 International Computer Music Conference, 1982

1981

Musical Synthesis: Evolution of the 'Chant' Project.

Jean-Baptiste Barrière, Jean Holleville, Yves Potard, Xavier Rodet

Proceedings of the 1981 International Computer Music Conference, 1981