Jack Armitage

According to our database, Jack Armitage authored at least 17 papers between 2012 and 2024.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of five.

2024

Notochord: a Flexible Probabilistic Model for Real-Time MIDI Performance.

Victor Shepardson, Jack Armitage, Thor Magnusson

CoRR, 2024

Tölvera: Interactive Self-Organising Systems for HCI Research & Artistic Practice.

Jack Armitage

Proceedings of the Adjunct Proceedings of the 2024 Nordic Conference on Human-Computer Interaction, 2024

The Organium: A Library of Technical Elements for Improvisatory Design Thinking.

Thor Magnusson, Kit Braybrooke, Sophie Skach, Giacomo Lepri, Marco Donnarumma, Adam Pultz Melbye, Jack Armitage, Victor Shepardson, Nicola Privato, Miguel Angel Crozzoli, Halldór Úlfarsson, Sean Patrick O'Brien

Proceedings of the 19th International Audio Mostly Conference: Explorations in Sonic Cultures, 2024

2023

A Context-Sensitive Approach to XAI in Music Performance.

Nicola Privato, Jack Armitage

CoRR, 2023

Exploring XAI for the Arts: Explaining Latent Space in Generative Music.

Nick Bryan-Kinns, Berker Banar, Corey Ford, Courtney N. Reed, Yixiao Zhang, Simon Colton, Jack Armitage

CoRR, 2023

A Scale-Based Ontology of Musical Instrument Design.

Jack Armitage, Thor Magnusson, Andrew McPherson

Proceedings of the 23rd International Conference on New Interfaces for Musical Expression, 2023

Studying Subtle and Detailed Digital Lutherie: Motivational Contexts and Technical Needs.

Jack Armitage, Thor Magnusson, Andrew McPherson

Proceedings of the 23rd International Conference on New Interfaces for Musical Expression, 2023

2022

The Proto-Langspil: Launching an Icelandic NIME Research Lab with the Help of a Marginalised Instrument.

Jack Armitage, Thor Magnusson, Victor Shepardson, Halldór Úlfarsson

Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

2020

An experimental audio-tactile interface for sculpting digital resonance models using modelling clay.

Jack Armitage

Proceedings of the Programming'20: 4th International Conference on the Art, 2020

2019

Bricolage in a hybrid digital lutherie context: a workshop study.

Jack Armitage, Andrew P. McPherson

Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

LiveCore: Increasing Liveness in a Low-Level Dataflow Programming Environment.

David Alexander, Jack Armitage

Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

Making Sense of Sensors: Discovery Through Craft Practice With an Open-Ended Sensor Material.

Charlotte Nordmoen, Jack Armitage, Fabio Morreale, Rebecca Stewart, Andrew P. McPherson

Proceedings of the 2019 on Designing Interactive Systems Conference, DIS 2019, San Diego, 2019

2018

Performance Systems for Live Coders and Non Coders.

Avneesh Sarwate, Ryan Taylor Rose, Jason Freeman, Jack Armitage

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Re-engaging the Body and Gesture in Musical Live Coding.

Spencer Salazar, Jack Armitage

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Crafting Digital Musical Instruments: An Exploratory Workshop Study.

Jack Armitage, Andrew P. McPherson

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

2017

The finer the musician, the smaller the details: nimecraft under the microscope.

Jack Armitage, Fabio Morreale, Andrew P. McPherson

Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

2012

Visualising sound: Localisation, feature analysis and visualisation.

Jack Armitage, Kyle Molleson, Michael Battcock, Chris Earnshaw, David Moore, Kia Ng

Proceedings of the Electronic Visualisation and the Arts, 2012