Graham Wakefield

Orcid: 0000-0002-5056-837X

According to our database1, Graham Wakefield authored at least 29 papers between 2006 and 2021.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

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PhD thesis 
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Links

On csauthors.net:

Bibliography

2021
A streamlined workflow from Max/gen~ to modular hardware.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

Creative Artificial Intelligence within the Artificial Life Installation "Infranet".
Proceedings of the Electronic Visualisation and the Arts, 2021

2020
Affordances and Constraints of Modular Synthesis in Virtual Reality.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2018
Tensions and Techniques in Live Coding Performance.
Proceedings of the Oxford Handbook of Algorithmic Music., 2018

2017
A virtual machine for live coding language design.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Gibberwocky: new live-coding instruments for musical performance.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Incorporating Kinesthetic Creativity and Gestural Play into Immersive Modeling.
Proceedings of the 4th International Conference on Movement Computing, 2017

2016
Endogenous Biologically Inspired Art of Complex Systems.
IEEE Computer Graphics and Applications, 2016

2015
Designing Musical Instruments for the Browser.
Comput. Music. J., 2015

Augmenting Room Acoustics and System Interaction for Intentional Control of Audio Feedback.
Proceedings of the Looking Back, 2015

Toward Certain Sonic Properties of an Audio Feedback System by Evolutionary Control of Second-Order Structures.
Proceedings of the Evolutionary and Biologically Inspired Music, Sound, Art and Design, 2015

2014
Immersive full-surround multi-user system design.
Comput. Graph., 2014

Collaborative Live-Coding with an Immersive Instrument.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

AiRSculpt: A Wearable Augmented Reality 3D Sculpting System.
Proceedings of the Distributed, Ambient, and Pervasive Interactions, 2014

Digital Love Letter: A Handwriting Based Interface for Non-instant Digital Messenger.
Proceedings of the Human-Computer Interaction. Applications and Services, 2014

Poetry of Separation: The Aesthetics of Spatial Montage and Generative Editing for Multi-layered Screens.
Proceedings of the Arts and Technology - Fourth International Conference, 2014

2013
Spatial Interaction in a Multiuser Immersive Instrument.
IEEE Computer Graphics and Applications, 2013

The Web Browser As Synthesizer And Interface.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

2012
Mobile Controls On-The-Fly: An Abstraction for Distributed NIMEs.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

2011
Time of Doubles.
Proceedings of the SIGGRAPH Asia 2011 Art Gallery, Hong Kong, China, December 12-15, 2011, 2011

COSM: A toolkit for composing immersive audio-visual worlds of agency and autonomy.
Proceedings of the 2011 International Computer Music Conference, 2011

2010
Immersed in Unfolding Complex Systems.
Proceedings of the Beautiful Visualization - Looking at Data Through the Eyes of Experts., 2010

2009
The Allobrain: An interactive, stereographic, 3D audio, immersive virtual world.
Int. J. Hum. Comput. Stud., 2009

Artificial nature: fluid space.
Proceedings of the International Conference on Computer Graphics and Interactive Techniques, 2009

Augmenting Computer Music with Just-In-Time Compilation.
Proceedings of the 2009 International Computer Music Conference, 2009

Artificial Nature: Immersive World Making.
Proceedings of the Applications of Evolutionary Computing, 2009

2007
Using Lua for audiovisual Compostion.
Proceedings of the 2007 International Computer Music Conference, 2007

Experiencing Audio and Music in a Fully Immersive Environment.
Proceedings of the Computer Music Modeling and Retrieval. Sense of Sounds, 2007

2006
Third-Order Ambisonic Extensions for Max/MSP with Musical Applications.
Proceedings of the 2006 International Computer Music Conference, 2006


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