Giovanni De Poli

Orcid: 0000-0001-8487-7093

According to our database1, Giovanni De Poli authored at least 46 papers between 1978 and 2022.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

On csauthors.net:

Bibliography

2022
Gesture, Music and Computer: The Centro di Sonologia Computazionale at Padova University, a 50-Year History.
Sensors, 2022

2020
Technology-Enhanced Interaction with Cultural Heritage: An Antique Pan Flute from Egypt.
ACM Journal on Computing and Cultural Heritage, 2020

2019
Four Decades of Music Research, Creation, and Education at Padua's Centro di Sonologia Computazionale.
Comput. Music. J., 2019

2015
CaRo 2.0: An Interactive System for Expressive Music Rendering.
Adv. Hum. Comput. Interact., 2015

2014
The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts.
ACM Trans. Appl. Percept., 2014

Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane.
IEEE Trans. Affect. Comput., 2014

Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same?
Proceedings of the Music Technology meets Philosophy, 2014

How blue is Mozart? Non verbal sensory scales for describing music qualities.
Proceedings of the Music Technology meets Philosophy, 2014

2010
Restoration of Audio Documents by Means of Extended Kalman Filter.
IEEE Trans. Speech Audio Process., 2010

Perceptual organization of affective and sensorial expressive intentions in music performance.
ACM Trans. Appl. Percept., 2010

2008
Score-Independent Audio Features for Description of Music Expression.
IEEE Trans. Speech Audio Process., 2008

2007
A Nonlinear Method for Stochastic Spectrum Estimation in the Modeling of Musical Sounds.
IEEE Trans. Speech Audio Process., 2007

Music Expression Understanding Based on a Joint Semantic Space.
Proceedings of the AI*IA 2007: Artificial Intelligence and Human-Oriented Computing, 2007

2005
Communicating Expressiveness and Affect in Multimodal Interactive Systems.
IEEE Multim., 2005

2004
Modeling and control of expressiveness in music performance.
Proc. IEEE, 2004

2003
Physically Informed Signal Processing Methods for Piano Sound Synthesis: A Research Overview.
EURASIP J. Adv. Signal Process., 2003

Estimation of Parameters in Rule Systems for Expressive Rendering of Musical Performance.
Comput. Music. J., 2003

Recognition of Musical Gestures in Known Pieces and in Improvisations.
Proceedings of the Gesture-Based Communication in Human-Computer Interaction, 2003

2002
Multi-instrument virtual keyboard - the MIKEY project.
Proceedings of the New Interfaces for Musical Expression, 2002

Time-varying estimation of parameters in rule systems for music performance.
Proceedings of the 2002 International Computer Music Conference, 2002

Real Time Analysis of Expressive Contents in Piano Performances.
Proceedings of the 2002 International Computer Music Conference, 2002

Comparison of different audio restoration methods based on frequency and time domains with applications on electronic music repertoire.
Proceedings of the 2002 International Computer Music Conference, 2002

2001
Expressive Morphing for Interactive Performance of Musical Scores.
Proceedings of the First International Conference on WEB Delivering of Music (WEDELMUSIC '01), 2001

An Objective and Subjective Comparison of Audio Restoration Systems.
Proceedings of the International Cultural Heritage Informatics Meeting: Proceedings from ICHIM 2001. Politechnico di Milano, Milan, Italy, September 3-7, 2001, 2001

2000
Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems.
IEEE Trans. Speech Audio Process., 2000

Audio Morphing Different Expressive Intentions for Multimedia Systems.
IEEE Multim., 2000

Real-Time Morphing Among Different Expressive Intentions in Audio Playback.
Proceedings of the 2000 International Computer Music Conference, 2000

Improving the Extended Kalman Filter Method for the Restoration of Electro-Acoustic Music.
Proceedings of the 2000 International Computer Music Conference, 2000

1999
Toward nonlinear wave digital filters.
IEEE Trans. Signal Process., 1999

Adding Expressiveness to Musical Messages.
Proceedings of the IEEE International Conference on Multimedia Computing and Systems, 1999

Sound Authoring Tools for Future Multimedia Systems.
Proceedings of the IEEE International Conference on Multimedia Computing and Systems, 1999

Expressive Processing of Audio and MIDI Performances in Real Time.
Proceedings of the 1999 International Computer Music Conference, 1999

1998
A Model To Add Expressiveness To Automatic Musical Performance.
Proceedings of the 1998 International Computer Music Conference, 1998

1997
Analysis by synthesis of the expressive intentions in musical performance.
Proceedings of the 1997 International Computer Music Conference, 1997

1996
Perceptual Analysis of the Musical Expressive Intention in a Clarinet Performance.
Proceedings of the Music, Gestalt, and Computing, 1996

Sonological Analysis of Clarinet Expressivity.
Proceedings of the Music, Gestalt, and Computing, 1996

Generalized adaptors with memory for nonlinear wave digital structures.
Proceedings of the 8th European Signal Processing Conference, 1996

1994
Timbre Characterization with Mel-Cepstrum and Neural Nets.
Proceedings of the 1994 International Computer Music Conference, 1994

Instruction of Computer Music for Computer Engineering Students and Professionals.
Proceedings of the 1994 International Computer Music Conference, 1994

Neural Networks vs. Rules System: Evaluation of Test of Automatic Performance.
Proceedings of the 1994 International Computer Music Conference, 1994

1993
Self-organizing Neural Network and Grey's Timbre Space.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1992
Symbolic and Sub-Symbolic Rules Systems for Real-Time Score Performance.
Proceedings of the 1992 International Computer Music Conference, 1992

1989
A Modular Approach to Excitator-Resonator Interaction in Physical Models Synthesis.
Proceedings of the 1989 International Computer Music Conference, 1989

1984
Frequency Dependent Waveshaping.
Proceedings of the 1984 International Computer Music Conference, 1984

Centro Di Sonologia Computazionale C. S. C. University of Padova.
Proceedings of the 1984 International Computer Music Conference, 1984

1978
Computer Music at University of Padova.
Proceedings of the 1978 International Computer Music Conference, 1978


  Loading...