Federica Bressan

According to our database, Federica Bressan authored at least 14 papers between 2011 and 2018.

Collaborative distances:

• Dijkstra number of four.
• Erdős number of four.

2018

A Case for Reproducibility in MIR: Replication of 'A Highly Robust Audio Fingerprinting System'.

Joren Six, Federica Bressan, Marc Leman

Trans. Int. Soc. Music. Inf. Retr., 2018

Applications of Duplicate Detection in Music Archives: From Metadata Comparison to Storage Optimisation - The Case of the Belgian Royal Museum for Central Africa.

Joren Six, Federica Bressan, Marc Leman

Proceedings of the Digital Libraries and Multimedia Archives, 2018

A Philological Approach to Sound Preservation.

Federica Bressan

Proceedings of the Research Methods for the Digital Humanities., 2018

2017

Tape music archives: from preservation to access.

Carlo Fantozzi, Federica Bressan, Niccolò Pretto, Sergio Canazza

Int. J. Digit. Libr., 2017

Gamified music improvisation with BilliArT: a multimodal installation with balls.

Tim Vets, Luc Nijs, Micheline Lesaffre, Bart Moens, Federica Bressan, Pieter Colpaert, Peter Lambert, Rik Van de Walle, Marc Leman

J. Multimodal User Interfaces, 2017

Applications of duplicate detection: linking meta-data and merging music archives: The experience of the IPEM historical archive of electronic music.

Federica Bressan, Joren Six, Marc Leman

Proceedings of the 4th International Workshop on Digital Libraries for Musicology, 2017

Between Artistic Creativity and Documentation: An Experiment on Interaction with an Installation for Music-Making.

Federica Bressan, Acatia Finbow, Tim Vets, Micheline Lesaffre, Marc Leman

Proceedings of the Interactivity, Game Creation, Design, Learning, and Innovation, 2017

2016

Hermeneutic Implications of Cultural Encoding: A Reflection on Audio Recordings and Interactive Installation Art.

Federica Bressan, Sergio Canazza, Tim Vets, Marc Leman

Proceedings of the Digital Libraries and Multimedia Archives, 2016

2014

The challenge of preserving interactive sound art: a multi-level approach.

Federica Bressan, Sergio Canazza

Int. J. Arts Technol., 2014

Digital Philology in Audio Long-term Preservation: A Multidisciplinary Project on Experimental Music.

Federica Bressan, Sergio Canazza

Proceedings of the Pushing the Boundaries of the Digital Libraries Field, 2014

2013

A Systemic Approach to the Preservation of Audio Documents: Methodology and Software Tools.

Federica Bressan, Sergio Canazza

J. Electr. Comput. Eng., 2013

The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control - The Case of the Sound Archive of the Arena di Verona.

Federica Bressan, Antonio Rodà, Sergio Canazza, Federico Fontana, Roberta Bertani

Adv. Multim., 2013

Interactive Multimedia Installations: Towards a Model for Preservation.

Federica Bressan, Sergio Canazza, Antonio Rodà

Proceedings of the Arts and Technology, Third International Conference, 2013

2011

Towards a Procedure for Quality Control on Large Collections of Digitized Audio Data: The Case of the "Fondazione Arena di Verona".

Federica Bressan, Sergio Canazza

Proceedings of the Multimedia for Cultural Heritage - First International Workshop, 2011