Enrique Tomás

Orcid: 0000-0003-1800-8337

Affiliations:

University of Art and DesignLinz, Tangible Music Lab, Austria

According to our database¹, Enrique Tomás authored at least 7 papers between 2014 and 2021.

Collaborative distances:

Dijkstra number² of five.
Erdős number³ of five.

Timeline

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Bibliography

2021

Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces.

[BibT_eX]

[DOI]

Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

2020

A Playful Approach to Teaching NIME: Pedagogical Methods from a Practice-Based Perspective.

[BibT_eX]

[DOI]

Enrique Tomás

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2019

Material embodiments of electroacoustic music: an experimental workshop study.

[BibT_eX]

[DOI]

Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

2017

How The Arts Can Help Tangible Interaction Design: A Critical Re-Orientation.

[BibT_eX]

[DOI]

Enrique Tomás

Informatics, 2017

2016

Demo hour.

[BibT_eX]

[DOI]

Interactions, 2016

Tangible Scores.

[BibT_eX]

[DOI]

Enrique Tomás

Proceedings of the TEI '16: Tenth International Conference on Tangible, 2016

2014

Tangible Scores: Shaping the Inherent Instrument Score.

[BibT_eX]

[DOI]

Enrique Tomás

Martin Kaltenbrunner

Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Enrique Tomás

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