Edgar Berdahl

Affiliations:
  • Louisiana State University, School of Music, Baton Rouge, LA, USA
  • Technical University of Berlin, Audio Communication Group, Germany


According to our database1, Edgar Berdahl authored at least 45 papers between 2003 and 2021.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

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Online presence:

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Bibliography

2021
An Infinitely Sustaining Piano Achieved Through a Soundboard-Mounted Shaker .
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

Using a Pursuit Tracking Task to Compare Continuous Control of Various NIME Sensors.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

2020
Modeling a Musician Performing on a Digital Musical Instrument as a Communications Channel.
Proceedings of the Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems, 2020

2019
Bendit_I/O: A System for Networked Performance of Circuit-Bent Devices.
Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

A Spatially Distributed Vibrotactile Actuator Array for the Fingertips.
Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

An Estimation and Comparison of Human Abilities to Communicate Information Through Pursuit Tracking vs. Pointing on a Single Axis.
Proceedings of the Advances in Human Error, Reliability, Resilience, and Performance, 2019

2018
Widening the Razor-Thin Edge of Chaos Into a Musical Highway: Connecting Chaotic Maps to Digital Waveguides.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Using Recurrent Neural Networks to Dream Sequences of Audio.
Proceedings of the 2018 International Computer Music Conference, 2018

Dipole Instruments for Sketching in Hardware with Embedded Acoustics.
Proceedings of the 2018 International Computer Music Conference, 2018

2017
Toward Inverse Control of Physics-Based Sound Synthesis.
CoRR, 2017

The joystyx: a quartet of embedded acoustic instruments.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Spatial audio approaches for embedded sound art installations with loudspeaker line arrays.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Portable modeling of virtual physics for audio and haptic interaction design.
Proceedings of the 2017 IEEE International Conference on Acoustics, 2017

<i>Invisible</i>: A Critical Digital Artwork as Performance.
Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems, 2017

2016
The Haptic Capstans: Rotational Force Feedback for Music using a FireFader Derivative Device.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

Very Slack Strings: A Physical Model and Its Use in the Composition Quartet for Strings.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

Wireless Vibrotactile Tokens for Audio-Haptic Interaction with Touchscreen Interfaces.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

Emphasizing Form in Virtual Reality-Based Music Performance.
Proceedings of the 2016 International Computer Music Conference, 2016

Automatic Visualization and Graphical Editing of Virtual Modeling Networks for the Open-Source Synth-A-Modeler Compiler.
Proceedings of the Haptics: Perception, Devices, Control, and Applications, 2016

Hybrid Virtual Modeling for Multisensory Interaction Design.
Proceedings of the Audio Mostly 2016, Norrköping, Sweden, October 4-6, 2016, 2016

An Approach for Using Information Theory to Investigate Continuous Control of Analog Sensors by Humans.
Proceedings of the Audio Mostly 2016, Norrköping, Sweden, October 4-6, 2016, 2016

More Masses For The Masses.
Proceedings of the Audio Mostly 2016, Norrköping, Sweden, October 4-6, 2016, 2016

2015
Textural crossfader.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

The haptic hand.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

2014
How to Make Embedded Acoustic Instruments.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Audio-Rate Modulation of Physical Model Parameters.
Proceedings of the Music Technology meets Philosophy, 2014

2013
Force-Sensitive Detents Improve User Performance for Linear Selection Tasks.
IEEE Trans. Haptics, 2013

The FireFader: Simple, Open-Source, and Reconfigurable Haptic Force Feedback for Musicians.
Comput. Music. J., 2013

Tangible embedded Linux.
Proceedings of the Seventh International Conference on Tangible, 2013

Embedded Networking and Hardware-Accelerated Graphics with Satellite CCRMA.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

2012
Force-feedback interaction with a neural oscillator model: for shared human-robot control of a virtual percussion instrument.
EURASIP J. Audio Speech Music. Process., 2012

Engraving-Hammering-Casting: Exploring the Sonic-Ergotic Medium for Live Musical Performance.
Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012

2011
Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Autonomous New Media Artefacts (AutoNMA).
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

2010
The Lattice Harp: A New Hybrid Instrument And Controller.
Proceedings of the 2010 International Computer Music Conference, 2010

2009
HSP: A Simple and Effective Open-Source Platform for Implementing Haptic Musical Instruments.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Using Haptics to Assist Performers in Making Gestures to a Musical Instrument.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

2008
Practical Hardware and Algorithms for Creating Haptic Musical Instruments.
Proceedings of the 8th International Conference on New Interfaces for Musical Expression, 2008

A Tangible Virtual Vibrating String: A Physically Motivated Virtual Musical Instrument Interface.
Proceedings of the 8th International Conference on New Interfaces for Musical Expression, 2008

2007
A Physically Intuitive Haptic Drumstick.
Proceedings of the 2007 International Computer Music Conference, 2007

Inducing Unusual Dynamics in Acoustic Musical Instruments.
Proceedings of the IEEE International Conference on Control Applications, 2007

2006
Towards Machine Learning of Expressive Microtiming in Brazilian Drumming.
Proceedings of the 2006 International Computer Music Conference, 2006

2005
If I had a Hammer: Design and Theory of an Electromagnetically-prepared Piano.
Proceedings of the 2005 International Computer Music Conference, 2005

2003
Speaker recognition using MPEG-7 descriptors.
Proceedings of the 8th European Conference on Speech Communication and Technology, EUROSPEECH 2003, 2003


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