Daniele Ghisi

According to our database1, Daniele Ghisi authored at least 13 papers between 2012 and 2021.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

On csauthors.net:

Bibliography

2021
A Framework for Modifying Orchestral Qualities in Computer-Aided Orchestration.
Comput. Music. J., December, 2021

Dynamic Computer-Aided Orchestration in Practice with Orchidea.
Comput. Music. J., December, 2021

2020
OrchideaSOL: a dataset of extended instrumental techniques for computer-aided orchestration.
CoRR, 2020

2019
Programming in Style with bach.
Proceedings of the Perception, Representations, Image, Sound, Music, 2019

2016
Concatenative synthesis via Chord-based Segmentation for an Experiment with Time.
Proceedings of the 2016 International Computer Music Conference, 2016

Recreating Gerard Grisey's Vortex Temporum with cage.
Proceedings of the 2016 International Computer Music Conference, 2016

2015
Representation of Musical Structures and Processes in Simplicial Chord Spaces.
Comput. Music. J., 2015

A Max Library for Musical Notation and Computer-Aided Composition.
Comput. Music. J., 2015

An anisotropic directional subdivision and multiresolution scheme.
Adv. Comput. Math., 2015

2014
Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX.
Proceedings of the Music Technology meets Philosophy, 2014

Spatial Transformations in Simplicial Chord Spaces.
Proceedings of the Music Technology meets Philosophy, 2014

cage: a high-level library for real-time computer-aided composition.
Proceedings of the Music Technology meets Philosophy, 2014

2012
Bach: an Environment for Computer-Aided Composition in Max.
Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012


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