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Christopher Ariza

According to our database1, Christopher Ariza authored at least 17 papers between 2002 and 2012.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

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PhD thesis 
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Links

On csauthors.net:

Bibliography

2012
The Dual-Analog Gamepad as a Practical Platform for Live Electronics Instrument and Interface Design.
[BibTeX]
[DOI]
Christopher Ariza
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

2011
Two Pioneering Projects from the Early History of Computer-Aided Algorithmic Composition.
[BibTeX]
[DOI]
Christopher Ariza
Comput. Music. J., 2011

A model for piloting pathways for computational thinking in a general education curriculum.
[BibTeX]
[DOI]
Charles Dierbach
,
Harry Hochheiser
,
Samuel Collins
,
Gerald J. Jerome
,
Christopher Ariza
,
Tina Kelleher
,
William Kleinsasser
,
Josh Dehlinger
,
Siddharth Kaza
Proceedings of the 42nd ACM technical symposium on Computer science education, 2011

Feature Extraction and Machine Learning on Symbolic Music using the music21 Toolkit.
[BibTeX]
[DOI]
Michael Scott Cuthbert
,
Christopher Ariza
,
Lisa Friedland
Proceedings of the 12th International Society for Music Information Retrieval Conference, 2011

Analytical and Compositional Applications of a Network-Based Scale Model in music21.
[BibTeX]
[DOI]
Christopher Ariza
,
Michael Scott Cuthbert
Proceedings of the 2011 International Computer Music Conference, 2011

The music21 Stream: A New Object Model for Representing, Filtering, and Transforming Symbolic Musical Structures.
[BibTeX]
[DOI]
Christopher Ariza
,
Michael Scott Cuthbert
Proceedings of the 2011 International Computer Music Conference, 2011

2010
Music21: A Toolkit for Computer-Aided Musicology and Symbolic Music Data.
[BibTeX]
[DOI]
Michael Scott Cuthbert
,
Christopher Ariza
Proceedings of the 11th International Society for Music Information Retrieval Conference, 2010

Modeling Beats, Accents, Beams, And Time Signatures Hierarchically With Music21 Meter Objects.
[BibTeX]
[DOI]
Christopher Ariza
,
Michael Scott Cuthbert
Proceedings of the 2010 International Computer Music Conference, 2010

2009
The Interrogator as Critic: The Turing Test and the Evaluation of Generative Music Systems.
[BibTeX]
[DOI]
Christopher Ariza
Comput. Music. J., 2009

Sonifying Sieves: Synthesis and Signal Processing Applications of the Xenakis Sieve with Python and Csound.
[BibTeX]
[DOI]
Christopher Ariza
Proceedings of the 2009 International Computer Music Conference, 2009

2007
Automata Bending: Applications of Dynamic Mutation and Dynamic Rules in Modular One-Dimensional Cellular Automata.
[BibTeX]
[DOI]
Christopher Ariza
Comput. Music. J., 2007

Serial RSS sound Installation as Open Work: the Babelcast.
[BibTeX]
[DOI]
Christopher Ariza
Proceedings of the 2007 International Computer Music Conference, 2007

2005
The Xenakis Sieve as Object: A New Model and a Complete Implementation.
[BibTeX]
[DOI]
Christopher Ariza
Comput. Music. J., 2005

Navigating the Landscape of Computer Aided Algorithmic Composition Systems: a Definition, seven Descriptors, and a Lexicon of Systems and Research.
[BibTeX]
[DOI]
Christopher Ariza
Proceedings of the 2005 International Computer Music Conference, 2005

2004
An Object-Oriented Model of the Xenakis Sieve for Algorithmic Pitch, Rhythm, and Parameter Generation.
[BibTeX]
[DOI]
Christopher Ariza
Proceedings of the 2004 International Computer Music Conference, 2004

2003
Ornament as Data Structure: An Algorithmic Model based on Micro-Rhythms of Csángó Laments and Funeral Music.
[BibTeX]
[DOI]
Christopher Ariza
Proceedings of the 2003 International Computer Music Conference, 2003

2002
Prokaryotic Groove: Rhythmic Cycles as Real-Value Encoded Genetic Algorithms.
[BibTeX]
[DOI]
Christopher Ariza
Proceedings of the 2002 International Computer Music Conference, 2002


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