Charles P. Martin

According to our database, Charles P. Martin authored at least 61 papers between 2010 and 2024.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of four.

2024

Breaking from realism: exploring the potential of glitch in AI-generated dance.

Benedikte Wallace, Kristian Nymoen, Jim Torresen, Charles Patrick Martin

Digit. Creativity, April, 2024

SoundMorpher: Perceptually-Uniform Sound Morphing with Diffusion Model.

Xinlei Niu, Jing Zhang, Charles Patrick Martin

CoRR, 2024

HybridVC: Efficient Voice Style Conversion with Text and Audio Prompts.

Xinlei Niu, Jing Zhang, Charles Patrick Martin

CoRR, 2024

Latent Optimal Paths by Gumbel Propagation for Variational Bayesian Dynamic Programming.

Xinlei Niu, Christian Walder, Jing Zhang, Charles Patrick Martin

Proceedings of the Forty-first International Conference on Machine Learning, 2024

SoundLoCD: An Efficient Conditional Discrete Contrastive Latent Diffusion Model for Text-to-Sound Generation.

Xinlei Niu, Jing Zhang, Christian Walder, Charles Patrick Martin

Proceedings of the IEEE International Conference on Acoustics, 2024

GenAICHI 2024: Generative AI and HCI at CHI 2024.

Michael J. Muller, Anna Kantosalo, Mary Lou Maher, Charles Patrick Martin, Greg Walsh

Proceedings of the Extended Abstracts of the CHI Conference on Human Factors in Computing Systems, 2024

Tonal Cognition in Sonification: Exploring the Needs of Practitioners in Sonic Interaction Design.

Minsik Choi, Josh Andres, Charles Patrick Martin

Proceedings of the 19th International Audio Mostly Conference: Explorations in Sonic Cultures, 2024

Understanding and Shaping Human-Technology Assemblages in the Age of Generative AI.

Josh Andres, Chris Danta, Andrea Bianchi, Sungyeon Hong, Zhuying Li, Eduardo Benítez Sandoval, Charles Patrick Martin, Ned Cooper

Proceedings of the Companion Publication of the 2024 ACM Designing Interactive Systems Conference, 2024

2023

DeepDance: Motion capture data of improvised dance (2019).

Benedikte Wallace, Kristian Nymoen, Charles P. Martin, Jim Tørresen

Dataset, May, 2023

DeepDance: Motion capture data of improvised dance (2019).

Benedikte Wallace, Kristian Nymoen, Charles P. Martin, Jim Tørresen

Dataset, January, 2023

Mobility, Space and Sound Activate Expressive Musical Experience in Augmented Reality.

Yichen Wang, Mingze Xi, Matt Adcock, Charles Patrick Martin

Proceedings of the 23rd International Conference on New Interfaces for Musical Expression, 2023

Composing Interface Connections for a Networked Touchscreen Ensemble.

Charles Patrick Martin, Alexander Hunter, Brent Schuetze, Yichen Wang

Proceedings of the 2023 4th International Symposium on the Internet of Sounds, 2023

GenAICHI 2023: Generative AI and HCI at CHI 2023.

Michael J. Muller, Lydia B. Chilton, Anna Kantosalo, Q. Vera Liao, Mary Lou Maher, Charles Patrick Martin, Greg Walsh

Proceedings of the Extended Abstracts of the 2023 CHI Conference on Human Factors in Computing Systems, 2023

Embodying an Interactive AI for Dance Through Movement Ideation.

Benedikte Wallace, Clarice Hilton, Kristian Nymoen, Jim Torresen, Charles Patrick Martin, Rebecca Fiebrink

Proceedings of the Creativity and Cognition, 2023

2022

DeepDance: Motion capture data of improvised dance (2019).

Benedikte Wallace, Kristian Nymoen, Charles P. Martin, Jim Tørresen

Dataset, January, 2022

Embodying the Glitch: Perspectives on Generative AI in Dance Practice.

Benedikte Wallace, Charles P. Martin

CoRR, 2022

Designing Sound Synthesis Interfaces for Head-mounted Augmented Reality.

Yichen Wang, Charles P. Martin

Proceedings of the 2022 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops, 2022

Augmenting Sculpture with Immersive Sonification.

Yichen Wang, Henry Gardner, Charles P. Martin, Matt Adcock

Proceedings of the 2022 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops, 2022

Cubing Sound: Designing a NIME for Head-mounted Augmented Reality.

Yichen Wang, Charles Martin

Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

Performing with a Generative Electronic Music Controller 103-106.

Charles Patrick Martin

Proceedings of the Joint Proceedings of the IUI 2022 Workshops: APEx-UI, 2022

Spatial-Temporal-Class Attention Network for Acoustic Scene Classification.

Xinlei Niu, Charles Patrick Martin

Proceedings of the IEEE International Conference on Multimedia and Expo, 2022

GenAICHI: Generative AI and HCI.

Michael J. Muller, Lydia B. Chilton, Anna Kantosalo, Charles Patrick Martin, Greg Walsh

Proceedings of the CHI '22: CHI Conference on Human Factors in Computing Systems, New Orleans, LA, USA, 29 April 2022, 2022

2021

Real-world embodied AI through a morphologically adaptive quadruped robot.

Tønnes F. Nygaard, Charles P. Martin, Jim Tørresen, Kyrre Glette, David Howard

Nat. Mach. Intell., 2021

Environmental Adaptation of Robot Morphology and Control Through Real-World Evolution.

Tønnes F. Nygaard, Charles P. Martin, David Howard, Jim Tørresen, Kyrre Glette

Evol. Comput., 2021

Exploring the Effect of Sampling Strategy on Movement Generation with Generative Neural Networks.

Benedikte Wallace, Charles P. Martin, Jim Tørresen, Kristian Nymoen

Proceedings of the Artificial Intelligence in Music, Sound, Art and Design, 2021

An Application for Evolutionary Music Composition Using Autoencoders.

Robert Neil McArthur, Charles Patrick Martin

Proceedings of the Artificial Intelligence in Music, Sound, Art and Design, 2021

Learning Embodied Sound-Motion Mappings: Evaluating AI-Generated Dance Improvisation.

Benedikte Wallace, Charles P. Martin, Jim Tørresen, Kristian Nymoen

Proceedings of the 13th ACM SIGCHI Conference on Creativity and Cognition, 2021

2020

Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning.

Charles Patrick Martin, Kyrre Glette, Tønnes F. Nygaard, Jim Tørresen

Frontiers Artif. Intell., 2020

A Laptop Ensemble Performance System using Recurrent Neural Networks.

Rohan Proctor, Charles Patrick Martin

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Sonic Sculpture: Activating Engagement with Head-Mounted Augmented Reality.

Charles Patrick Martin, Zeruo Liu, Yichen Wang, Wennan He, Henry Gardner

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Towards Movement Generation with Audio Features.

Benedikte Wallace, Charles P. Martin, Jim Tørresen, Kristian Nymoen

Proceedings of the Eleventh International Conference on Computational Creativity, 2020

Comparing Three Data Representations for Music with a Sequence-to-Sequence Model.

Sichao Li, Charles Patrick Martin

Proceedings of the AI 2020: Advances in Artificial Intelligence, 2020

2019

Lessons Learned from Real-World Experiments with DyRET: the Dynamic Robot for Embodied Testing.

Tønnes F. Nygaard, Jørgen Nordmoen, Charles P. Martin, Kyrre Glette

CoRR, 2019

How do Mixture Density RNNs Predict the Future?

Kai Olav Ellefsen, Charles Patrick Martin, Jim Tørresen

CoRR, 2019

Data-Driven Analysis of Tiny Touchscreen Performance with MicroJam.

Charles Patrick Martin, Jim Tørresen

Comput. Music. J., 2019

A Physical Intelligent Instrument using Recurrent Neural Networks.

Torgrim Rudland Næss, Charles P. Martin

Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks.

Charles P. Martin, Jim Tørresen

Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks.

Andrei Faitas, Synne Engdahl Baumann, Torgrim Rudland Næss, Jim Tørresen, Charles P. Martin

Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

Experiences from Real-World Evolution with DyRET: Dynamic Robot for Embodied Testing.

Tønnes F. Nygaard, Jørgen Nordmoen, Kai Olav Ellefsen, Charles P. Martin, Jim Tørresen, Kyrre Glette

Proceedings of the Nordic Artificial Intelligence Research and Development, 2019

Self-Modifying Morphology Experiments with DyRET: Dynamic Robot for Embodied Testing.

Tønnes F. Nygaard, Charles P. Martin, Jim Tørresen, Kyrre Glette

Proceedings of the International Conference on Robotics and Automation, 2019

Identifying Reusable Early-Life Options.

Aline Weber, Charles P. Martin, Jim Tørresen, Bruno C. da Silva

Proceedings of the Joint IEEE 9th International Conference on Development and Learning and Epigenetic Robotics, 2019

Comparing Models for Harmony Prediction in an Interactive Audio Looper.

Benedikte Wallace, Charles P. Martin

Proceedings of the Computational Intelligence in Music, Sound, Art and Design, 2019

Evolving Robots on Easy Mode: Towards a Variable Complexity Controller for Quadrupeds.

Tønnes F. Nygaard, Charles P. Martin, Jim Tørresen, Kyrre Glette

Proceedings of the Applications of Evolutionary Computation, 2019

Free-Improvised Rehearsal-as-Research for Musical HCI.

Charles P. Martin, Henry J. Gardner

Proceedings of the New Directions in Music and Human-Computer Interaction, 2019

2018

Exploring Mechanically Self-Reconfiguring Robots for Autonomous Design.

Tønnes F. Nygaard, Charles P. Martin, Jim Tørresen, Kyrre Glette

CoRR, 2018

Deep Predictive Models in Interactive Music.

Charles P. Martin, Kai Olav Ellefsen, Jim Tørresen

CoRR, 2018

Bela-Based Augmented Acoustic Guitars for Sonic Microinteraction.

Victor Evaristo González Sánchez, Charles P. Martin, Agata Zelechowska, Kari Anne Vadstensvik Bjerkestrand, Victoria Johnson, Alexander Refsum Jensenius

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Composing an Ensemble Standstill Work for Myo and Bela.

Charles P. Martin, Alexander Refsum Jensenius, Jim Tørresen

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Real-world evolution adapts robot morphology and control to hardware limitations.

Tønnes F. Nygaard, Charles P. Martin, Eivind Samuelsen, Jim Tørresen, Kyrre Glette

Proceedings of the Genetic and Evolutionary Computation Conference, 2018

RoboJam: A Musical Mixture Density Network for Collaborative Touchscreen Interaction.

Charles Patrick Martin, Jim Tørresen

Proceedings of the Computational Intelligence in Music, Sound, Art and Design, 2018

2017

Microjam: an app for sharing tiny touch-screen performances.

Charles P. Martin, Jim Tørresen

Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Deep Models for Ensemble Touch-Screen Improvisation.

Charles P. Martin, Kai Olav Ellefsen, Jim Tørresen

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

2016

Intelligent Agents and Networked Buttons Improve Free-Improvised Ensemble Music-Making on Touch-Screens.

Charles Martin, Henry J. Gardner, Ben Swift, Michael A. Martin

Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems, 2016

2015

Tracking ensemble performance on touch-screens with gesture classification and transition matrices.

Charles Martin, Henry J. Gardner, Ben Swift

Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

2014

Metatravels and metalonsdale: ipad apps for percussive improvisation.

Charles Martin, Henry J. Gardner, Ben Swift

Proceedings of the CHI Conference on Human Factors in Computing Systems, 2014

Exploring percussive gesture on iPads with ensemble metatone.

Charles Martin, Henry J. Gardner, Ben Swift

Proceedings of the CHI Conference on Human Factors in Computing Systems, 2014

A Percussion-Focussed Approach to Preserving Touch-Screen Improvisation.

Charles Martin, Henry J. Gardner

Proceedings of the Curating the Digital: Space for Art and Interaction, 2014

2013

Performing with a Mobile Computer System for Vibraphone.

Charles Martin

Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

Integrating Mobile Music with Percussion Performance Practice.

Charles Martin

Proceedings of the 39th International Computer Music Conference, 2013

2011

Strike on Stage: a Percussion and Media Performance.

Charles Martin, Chi-Hsia Lai

Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

2010

Cross-Artform Performance Using Networked Interfaces: Last Man to Die's Vital LMTD.

Charles Martin, Benjamin Forster, Hanna Cormick

Proceedings of the 10th International Conference on New Interfaces for Musical Expression, 2010