Caterina Moruzzi

Orcid: 0000-0002-9728-3873

According to our database1, Caterina Moruzzi authored at least 8 papers between 2017 and 2024.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

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Links

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Bibliography

2024
A User-centered Framework for Human-AI Co-creativity.
Proceedings of the Extended Abstracts of the CHI Conference on Human Factors in Computing Systems, 2024

ORAgen: Exploring the Design of Attribution through Media Tokenisation.
Proceedings of the Companion Publication of the 2024 ACM Designing Interactive Systems Conference, 2024

2022
Which Biases and Reasoning Pitfalls Do Explanations Trigger? Decomposing Communication Processes in Human-AI Interaction.
IEEE Computer Graphics and Applications, 2022

The (Artificial) Physicality of Creativity: How Embodiment Influences Perceptions of Creativity.
Proceedings of the 13th International Conference on Computational Creativity, Bozen-Bolzano, Italy, June 27, 2022

Exploring Embodiment's Role in Creativity with Live Artistic Performances.
Proceedings of the Workshop on the Role of Embodiment in the Perception of Human & Human & Artificial Creativity (TREPHAC 2022) co-located with the 13th International Conference on Computational Creativity (ICCC 2022), 2022

Climbing the Ladder: How Agents Reach Counterfactual Thinking.
Proceedings of the 14th International Conference on Agents and Artificial Intelligence, 2022

Prediction: An Algorithmic Principle Meeting Neuroscience and Machine Learning Halfway.
Proceedings of the 3rd Human-Like Computing Workshop (HLC 2022) co-located with the 2nd International Joint Conference on Learning and Reasoning (IJCLR 2022), 2022

2017
Creative AI: Music Composition Programs as an Extension of the Composer's Mind.
Proceedings of the Philosophy and Theory of Artificial Intelligence 2017, 2017


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