Andrew Hugill

Orcid: 0000-0001-7305-5246

According to our database1, Andrew Hugill authored at least 15 papers between 2000 and 2016.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

On csauthors.net:

Bibliography

2016
PRASCAL: a pataphysical programming language.
Int. J. Creative Comput., 2016

2014
Creative Computing Processes: Musical Composition.
Proceedings of the 8th IEEE International Symposium on Service Oriented System Engineering, 2014

2013
The creative turn: new challenges for computing.
Int. J. Creative Comput., 2013

The syzygy surfer: (Ab)using the semantic web to inspire creativity.
Int. J. Creative Comput., 2013

<i>Secret Garden</i>.
Digit. Creativity, 2013

The pataphysics of creativity: developing a tool for creative search.
Digit. Creativity, 2013

<i>The Imaginary Voyage</i>: an online opera.
Digit. Creativity, 2013

Digital creativity and transdisciplinarity at postgraduate level: the design and implementation of a transdisciplinary masters programme and its implications for creative practice.
Digit. Creativity, 2013

Introduction: transdisciplinary learning for digital creative practice.
Digit. Creativity, 2013

Creative search using pataphysics.
Proceedings of the Creativity and Cognition 2013, 2013

2012
The origins of electronic music.
Proceedings of the Cambridge Companion to Electronic Music., 2012

2011
Palimpsests of Time and Place.
Proceedings of the 35th Annual IEEE International Computer Software and Applications Conference, 2011

2010
An Ontology-Based Approach to Reengineering Enterprise Software for Cloud Computing.
Proceedings of the 34th Annual IEEE International Computer Software and Applications Conference, 2010

2005
Genetic Approaches for Evolving Form in Musical Composition.
Proceedings of the IASTED International Conference on Artificial Intelligence and Applications, 2005

2000
The Music, Technology and Innovation Research Group (MTIRG) at De Montfort University - Studio Report.
Proceedings of the 2000 International Computer Music Conference, 2000


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