Alon Ilsar

According to our database, Alon Ilsar authored at least 16 papers between 2013 and 2024.

Collaborative distances:

• Dijkstra number of four.
• Erdős number of four.

2024

Visual instrument co-design embracing the unique movement capabilities of a dancer with physical disability.

Sam Trolland, Melinda Smith, Alon Ilsar, Jon McCormack

Proceedings of the 9th International Conference on Movement and Computing, 2024

2023

Gestural Interactions with Object-Based Audio in an Internet of Sounds Ecosystem.

Kurt Mikolajczyk, Sam Trolland, Alon Ilsar, Jon McCormack, Sam Ferguson, Oliver Bown

Proceedings of the 2023 4th International Symposium on the Internet of Sounds, 2023

2022

Inclusive Improvisation: Exploring the Line between Listening and Playing Music.

Alon Ilsar, Gail Kenning, Sam Trolland, Ciaran Frame

ACM Trans. Access. Comput., 2022

AirSticks 2.0: Instrument Design for Expressive Gestural Interaction.

Sam Trolland, Alon Ilsar, Ciaran Frame, Jon McCormack, Elliott Wilson

Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

Infosonics: Accessible Infographics for People who are Blind using Sonification and Voice.

Leona M. Holloway, Cagatay Goncu, Alon Ilsar, Matthew Butler, Kim Marriott

Proceedings of the CHI '22: CHI Conference on Human Factors in Computing Systems, New Orleans, LA, USA, 29 April 2022, 2022

2021

Reimagining (Accessible) Digital Musical Instruments: A Survey on Electronic Music-Making Tools.

Emma Frid, Alon Ilsar

Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

2020

Harmony across Music, Visuals and Movement in a New Audio-visual Gestural Performance.

Alon Ilsar, Matthew Hughes

Proceedings of the TEI '20: Fourteenth International Conference on Tangible, 2020

NIME or Mime: A Sound-First Approach to Developing an Audio-Visual Gestural Instrument.

Alon Ilsar, Matthew Hughes, Andrew Johnston

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Explainable Computational Creativity.

Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease, Simon Colton

Proceedings of the Eleventh International Conference on Computational Creativity, 2020

A New Audio-Visual Gestural Instrument for Unlocking Creativity.

Alon Ilsar, Matthew Hughes

Proceedings of the Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems, 2020

Inclusive improvisation through sound and movement mapping: from DMI to ADMI.

Alon Ilsar, Gail Kenning

Proceedings of the ASSETS '20: The 22nd International ACM SIGACCESS Conference on Computers and Accessibility, 2020

2018

The AirSticks: a new instrument for live electronic percussion within an ensemble

Alon Ilsar

PhD thesis, 2018

2015

Choreography in the Mapping of New Instruments.

Alon Ilsar, Andrew Johnston

Proceedings of the 2015 ACM SIGCHI Conference on Creativity and Cognition, 2015

<i>'AirStorm, '</i> A New Piece for AirSticks and Storm: Gestural Audio-Visual for Electronic Percussionists.

Alon Ilsar, Andrew Bluff

Proceedings of the 2015 ACM SIGCHI Conference on Creativity and Cognition, 2015

2014

Evaluating the Performance of a New Gestural Instrument Within an Ensemble.

Alon Ilsar, Mark Havryliv, Andrew Johnston

Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

2013

<i>'I & I, '</i> a new piece for the AirSticks: a new interface for electronic percussionists.

Alon Ilsar, Mark Havryliv, Andrew Johnston

Proceedings of the Creativity and Cognition 2013, 2013