Alex McLean

Orcid: 0000-0002-7428-7935

Affiliations:
  • Deutsches Museum, Munich, Germany
  • University of Leeds, UK (former)
  • Goldsmiths College, London, UK (PhD 2011)


According to our database1, Alex McLean authored at least 31 papers between 2007 and 2024.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

Online presence:

On csauthors.net:

Bibliography

2024
From Konnakol to Live Coding.
Proceedings of the 12th ACM SIGPLAN International Workshop on Functional Art, 2024

2023
Patterns in Deep Time.
CoRR, 2023

2022
Alternate Timelines for TidalCycles.
CoRR, 2022

Invited talk: Live coding and the 'what-if' paradigm.
Proceedings of the 33rd Annual Workshop of the Psychology of Programming Interest Group, 2022

2020
Digital crafts-machine-ship: creative collaborations with machines.
Interactions, 2020

Algorithmic Pattern.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2018
Algorithmic Trajectories.
Proceedings of the Oxford Handbook of Algorithmic Music., 2018

Musical Algorithms as Tools, Languages and Partners: A Perspective.
Proceedings of the Oxford Handbook of Algorithmic Music., 2018

Performing with Patterns of Time.
Proceedings of the Oxford Handbook of Algorithmic Music., 2018

2017
FARM 2017 performances.
Proceedings of the 5th ACM SIGPLAN International Workshop on Functional Art, 2017

2015
Improving Optical Music Recognition by Combining Outputs from Multiple Sources.
Proceedings of the 16th International Society for Music Information Retrieval Conference, 2015

2014
Algorave: A Survey of the History, Aesthetics and Technology of Live Performance of Algorithmic Electronic Dance Music.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Improving OMR for Digital Music Libraries with Multiple Recognisers and Multiple Sources.
Proceedings of the 1st International Workshop on Digital Libraries for Musicology, 2014

Making programming languages to dance to: live coding with tidal.
Proceedings of the 2nd ACM SIGPLAN international workshop on Functional art, 2014

Big Data Optical Music Recognition with Multi Images and Multi Recognisers.
Proceedings of the Electronic Visualisation and the Arts, 2014

The Colour of Music: Real-time Music Visualisation with Synaesthetic Sound-colour Mapping.
Proceedings of the Electronic Visualisation and the Arts, 2014

2013
Collaboration and learning through live coding (Dagstuhl Seminar 13382).
Dagstuhl Reports, 2013

Paralinguistic Microphone.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

Live Music-Making: A Rich Open Task Requires a Rich Open Interface.
Proceedings of the Music and Human-Computer Interaction., 2013

2012
Live Notation: acoustic resonance?
Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012

2011
Artist-programmers and programming languages for the arts.
PhD thesis, 2011

Texture: Visual Notation for Live Coding of Pattern.
Proceedings of the 2011 International Computer Music Conference, 2011

2010
Unifying Conceptual Spaces: Concept Formation in Musical Creative Systems.
Minds Mach., 2010

Bricolage Programming in the Creative Arts.
Proceedings of the 22nd Annual Workshop of the Psychology of Programming Interest Group, 2010

Petrol: Reactive Pattern Language For Improvised Music.
Proceedings of the 2010 International Computer Music Conference, 2010

Live Coding Towards Computational Creativity.
Proceedings of the International Conference on Computational Creativity, 2010

Visualisation of live code.
Proceedings of the Electronic Visualisation and the Arts, 2010

2009
Words , Movement and Timbre.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Embodied creativity.
Proceedings of the Computational Creativity: An Interdisciplinary Approach, 12.07., 2009

2008
Vocable synthesis.
Proceedings of the 2008 International Computer Music Conference, 2008

2007
Apollonius diagrams and the Representation of Sounds and Music.
Proceedings of the 4th International Symposium on Voronoi Diagrams in Science and Engineering, 2007


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