Aengus Martin

According to our database1, Aengus Martin authored at least 12 papers between 2010 and 2017.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

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PhD thesis 
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Links

On csauthors.net:

Bibliography

2017
Design and Evaluation of Agents that Sequence and Juxtapose Short Musical Patterns in Real Time.
Comput. Music. J., 2017

2013
A corpus-based method for controlling guitar feedback.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

The agent designer toolkit.
Proceedings of the Creativity and Cognition 2013, 2013

Backgammon: process-based musical explorations using the agent designer.
Proceedings of the Creativity and Cognition 2013, 2013

Towards a Taxonomy of Musical Metacreation: Reflections on the First Musical Metacreation Weekend.
Proceedings of the Musical Metacreation, 2013

The Musical Metacreation Weekend: Challenges Arising from the Live Presentation of Musically Metacreative Systems.
Proceedings of the Musical Metacreation, 2013

2012
The 'Interface' in Site-Specific Sound Installation.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Autonomy in Music-Generating Systems.
Proceedings of the Musical Metacreation, 2012

2011
A toolkit for designing interactive musical agents.
Proceedings of the Annual Meeting of the Australian Special Interest Group for Computer Human Interaction, OzCHI '11, Canberra, Australia, November 28, 2011

A similarity algorithm for interactive style imitation.
Proceedings of the 2011 International Computer Music Conference, 2011

2010
Mechanisms for Controlling Complex Sound Sources: Applications to Guitar Feedback Control.
Proceedings of the 10th International Conference on New Interfaces for Musical Expression, 2010

Zero-Discount Partially Observable Markov Decision Processes For Computational Improvising Agents.
Proceedings of the 2010 International Computer Music Conference, 2010


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